The collected works of William Hazlitt, Vol. 04 (of 12)Hazlitt, William
Philosophy
The collected works of William Hazlitt, Vol. 04 (of 12)
Hazlitt, William
English essays -- 19th century
There is a Mr. Fox, a Dissenting Minister, as fluent a speaker, with a
sweeter voice and a more animated and beneficent countenance than Mr.
Irving, who expresses himself with manly spirit at a public meeting,
takes a hand at whist, and is the darling of his congregation; but he is
no more, because he is diminutive in person. His head is not seen above
the crowd the length of a street off. He is the Duke of Sussex in
miniature, but the Duke of Sussex does not go to hear him preach, as he
attends Mr. Irving, who rises up against him like a martello tower, and
is nothing loth to confront the spirit of a man of genius with the
blood-royal. We allow there are, or may be, talents sufficient to
produce this equality without a single personal advantage; but we deny
that this would be the effect of any that our great preacher possesses.
We conceive it not improbable that the consciousness of muscular power,
that the admiration of his person by strangers might first have inspired
Mr. Irving with an ambition to be something, intellectually speaking,
and have given him confidence to attempt the greatest things. He has not
failed for want of courage. The public, as well as the fair, are won by
a show of gallantry. Mr. Irving has shrunk from no opinion, however
paradoxical. He has scrupled to avow no sentiment, however obnoxious. He
has revived exploded prejudices, he has scouted prevailing fashions. He
has opposed the spirit of the age, and not consulted the _esprit de
corps_. He has brought back the doctrines of Calvinism in all their
inveteracy, and relaxed the inveteracy of his northern accents. He has
turned religion and the Caledonian Chapel topsy-turvy. He has held a
play-book in one hand, and a Bible in the other, and quoted Shakespeare
and Melancthon in the same breath. The tree of the knowledge of good and
evil is no longer, with his grafting, a dry withered stump; it shoots
its branches to the skies, and hangs out its blossoms to the gale—
‘Miraturque novos fructus, et non sua poma.’
He has taken the thorns and briars of scholastic divinity, and garlanded
them with the flowers of modern literature. He has done all this,
relying on the strength of a remarkably fine person and manner, and
through that he has succeeded—otherwise he would have perished
miserably.
Public-domain text, read in full here on John Shaqi.
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