The collected works of William Hazlitt, Vol. 04 (of 12)Hazlitt, William
Philosophy
The collected works of William Hazlitt, Vol. 04 (of 12)
Hazlitt, William
English essays -- 19th century
which he gives himself up to his subject, or lays about him and buffets
sceptics and gain-sayers, arrests attention in spite of every other
circumstance, and fixes it on that, and that alone, which excites such
interest and such eagerness in his own breast! Besides, he is a
logician, has a theory in support of whatever he chooses to advance, and
weaves the tissue of his sophistry so close and intricate, that it is
difficult not to be entangled in it, or to escape from it. ‘There’s
magic in the web.’ Whatever appeals to the pride of the human
understanding, has a subtle charm in it. The mind is naturally
pugnacious, cannot refuse a challenge of strength or skill, sturdily
enters the lists and resolves to conquer, or to yield itself vanquished
in the forms. This is the chief hold Dr. Chalmers had upon his hearers,
and upon the readers of his ‘Astronomical Discourses.’ No one was
satisfied with his arguments, no one could answer them, but every one
wanted to try what he could make of them, as we try to find out a
riddle. ‘By his so potent art,’ the art of laying down problematical
premises, and drawing from them still more doubtful, but not impossible,
conclusions, ‘he could bedim the noonday sun, betwixt the green sea and
the azure vault set roaring war,’ and almost compel the stars in their
courses to testify to his opinions. The mode in which he undertook to
make the circuit of the universe, and demand categorical information
‘now of the planetary and now of the fixed,’ might put one in mind of
Hecate’s mode of ascending in a machine from the stage, ‘midst troops of
spirits,’ in which you now admire the skill of the artist, and next
tremble for the fate of the performer, fearing that the audacity of the
attempt will turn his head or break his neck. The style of these
‘Discourses’ also, though not elegant or poetical, was, like the
subject, intricate and endless. It was that of a man pushing his way
through a labyrinth of difficulties, and determined not to flinch. The
impression on the reader was proportionate; for, whatever were the
merits of the style or matter, both were new and striking; and the train
of thought that was unfolded at such length and with such strenuousness,
was bold, well-sustained, and consistent with itself.
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