The collected works of William Hazlitt, Vol. 04 (of 12)Hazlitt, William
Philosophy
The collected works of William Hazlitt, Vol. 04 (of 12)
Hazlitt, William
English essays -- 19th century
We think, however, that if Mr. Wordsworth had been a more liberal and
candid critic, he would have been a more sterling writer. If a greater
number of sources of pleasure had been open to him, he would have
communicated pleasure to the world more frequently. Had he been less
fastidious in pronouncing sentence on the works of others, his own would
have been received more favourably, and treated more leniently. The
current of his feelings is deep, but narrow; the range of his
understanding is lofty and aspiring rather than discursive. The force,
the originality, the absolute truth and identity with which he feels
some things, makes him indifferent to so many others. The simplicity and
enthusiasm of his feelings, with respect to nature, renders him bigotted
and intolerant in his judgments of men and things. But it happens to
him, as to others, that his strength lies in his weakness; and perhaps
we have no right to complain. We might get rid of the cynic and the
egotist, and find in his stead a common-place man. We should ‘take the
good the Gods provide us’: a fine and original vein of poetry is not one
of their most contemptible gifts, and the rest is scarcely worth
thinking of, except as it may be a mortification to those who expect
perfection from human nature; or who have been idle enough at some
period of their lives, to deify men of genius as possessing claims above
it. But this is a chord that jars, and we shall not dwell upon it.
Lord Byron we have called, according to the old proverb, ‘the spoiled
child of fortune’: Mr. Wordsworth might plead, in mitigation of some
peculiarities, that he is ‘the spoiled child of disappointment.’ We are
convinced, if he had been early a popular poet, he would have borne his
honours meekly, and would have been a person of great _bonhommie_ and
frankness of disposition. But the sense of injustice and of undeserved
ridicule sours the temper and narrows the views. To have produced works
of genius, and to find them neglected or treated with scorn, is one of
the heaviest trials of human patience. We exaggerate our own merits when
they are denied by others, and are apt to grudge and cavil at every
particle of praise bestowed on those to whom we feel a conscious
superiority. In mere self-defence we turn against the world, when it
turns against us; brood over the undeserved slights we receive; and thus
the genial current of the soul is stopped, or vents itself in effusions
of petulance and self-conceit. Mr. Wordsworth has thought too much of
contemporary critics and criticism; and less than he ought of the award
of posterity, and of the opinion, we do not say of private friends, but
of those who were made so by their admiration of his genius. He did not
court popularity by a conformity to established models, and he ought not
to have been surprised that his originality was not understood as a
matter of course. He has _gnawed too much on the bridle_; and has often
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