The collected works of William Hazlitt, Vol. 05 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 05 (of 12)
Hazlitt, William
English essays -- 19th century
His _Conciones ad Populum_, Watchman, &c. are dreary trash. Of his
Friend, I have spoken the truth elsewhere. But I may say of him here,
that he is the only person I ever knew who answered to the idea of a man
of genius. He is the only person from whom I ever learnt any thing.
There is only one thing he could learn from me in return, but _that_ he
has not. He was the first poet I ever knew. His genius at that time had
angelic wings, and fed on manna. He talked on for ever; and you wished
him to talk on for ever. His thoughts did not seem to come with labour
and effort; but as if borne on the gusts of genius, and as if the wings
of his imagination lifted him from off his feet. His voice rolled on the
ear like the pealing organ, and its sound alone was the music of
thought. His mind was clothed with wings; and raised on them, he lifted
philosophy to heaven. In his descriptions, you then saw the progress of
human happiness and liberty in bright and never-ending succession, like
the steps of Jacob’s ladder, with airy shapes ascending and descending,
and with the voice of God at the top of the ladder. And shall I, who
heard him then, listen to him now? Not I!... That spell is broke; that
time is gone for ever; that voice is heard no more: but still the
recollection comes rushing by with thoughts of long-past years, and
rings in my ears with never-dying sound.
‘What though the radiance which was once so bright,
Be now for ever taken from my sight,
Though nothing can bring back the hour
Of glory in the grass, of splendour in the flow’r;
I do not grieve, but rather find
Strength in what remains behind;
In the primal sympathy,
Which having been, must ever be;
In the soothing thoughts that spring
Out of human suffering;
In years that bring the philosophic mind!’—
I have thus gone through the task I intended, and have come at last to
the level ground. I have felt my subject gradually sinking from under me
as I advanced, and have been afraid of ending in nothing. The interest
has unavoidably decreased at almost every successive step of the
progress, like a play that has its catastrophe in the first or second
act. This, however, I could not help. I have done as well as I could.
End of LECTURES ON THE ENGLISH POETS
LECTURES ON THE DRAMATIC LITERATURE OF THE AGE OF ELIZABETH
BIBLIOGRAPHICAL NOTE
Public-domain text, read in full here on John Shaqi.
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