_Eumenides._ Thou art that Endymion, and I Eumenides: wilt thou not yet call me to remembrance? _Endymion._ Ah! sweet Eumenides, I now perceive thou art he, and that myself have the name of Endymion; but that this should be my body, I doubt: for how could my curled locks be turned to gray hair, and my strong body to a dying weakness, having waxed old, and not knowing it? _Cynthia._ Well, Endymion, arise: awhile sit down, for that thy limbs are stiff and not able to stay thee, and tell what thou hast seen in thy sleep all this while. What dreams, visions, thoughts, and fortunes: for it is impossible but in so long time, thou shouldst see strange things.’ _Act V. Scene 1._ It does not take away from the pathos of this poetical allegory on the chances of love and the progress of human life, that it may be supposed to glance indirectly at the conduct of Queen Elizabeth to our author, who, after fourteen years’ expectation of the place of Master of the Revels, was at last disappointed. This princess took no small delight in keeping her poets in a sort of Fool’s Paradise. The wit of Lyly, in parts of this romantic drama, seems to have grown spirited and classical with his subject. He puts this fine hyperbolical irony in praise of Dipsas, (a most unamiable personage, as it will appear), into the mouth of Sir Tophas: ‘Oh what fine thin hair hath Dipsas! What a pretty low forehead! What a tall and stately nose! What little hollow eyes! What great and goodly lips! How harmless she is, being toothless! Her fingers fat and short, adorned with long nails like a bittern! What a low stature she is, and yet what a great foot she carrieth! How thrifty must she be, in whom there is no waist; how virtuous she is like to be, over whom no man can be jealous!’ _Act III. Scene 3._ It is singular that the style of this author, which is extremely sweet and flowing, should have been the butt of ridicule to his contemporaries, particularly Drayton, who compliments Sidney as the author that ‘Did first reduce Our tongue from Lyly’s writing, then in use; Talking of stones, stars, plants, of fishes, flies, Playing with words and idle similes, As the English apes and very zanies be Of every thing that they do hear and see.’