The collected works of William Hazlitt, Vol. 05 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 05 (of 12)
Hazlitt, William
English essays -- 19th century
‘In either hand the hast’ning angel caught
Our ling’ring parents, and to th’ eastern gate
Led them direct, and down the cliff as fast
To the subjected plain; then disappear’d.
They looking back, all th’ eastern side beheld
Of Paradise, so late their happy seat,
Wav’d over by that flaming brand, the gate
With dreadful faces throng’d, and fiery arms:
Some natural tears they dropt, but wip’d them soon;
The world was all before them, where to choose
Their place of rest, and Providence their guide.’
LECTURE IV
ON DRYDEN AND POPE
Dryden and Pope are the great masters of the artificial style of poetry
in our language, as the poets of whom I have already treated, Chaucer,
Spenser, Shakspeare, and Milton, were of the natural; and though this
artificial style is generally and very justly acknowledged to be
inferior to the other, yet those who stand at the head of that class,
ought, perhaps, to rank higher than those who occupy an inferior place
in a superior class. They have a clear and independent claim upon our
gratitude, as having produced a kind and degree of excellence which
existed equally nowhere else. What has been done well by some later
writers of the highest style of poetry, is included in, and obscured by
a greater degree of power and genius in those before them: what has been
done best by poets of an entirely distinct turn of mind, stands by
itself, and tells for its whole amount. Young, for instance, Gray, or
Akenside, only follow in the train of Milton and Shakspeare: Pope and
Dryden walk by their side, though of an unequal stature, and are
entitled to a first place in the lists of fame. This seems to be not
only the reason of the thing, but the common sense of mankind, who,
without any regular process of reflection, judge of the merit of a work,
not more by its inherent and absolute worth, than by its originality and
capacity of gratifying a different faculty of the mind, or a different
class of readers; for it should be recollected, that there may be
readers (as well as poets) not of the highest class, though very good
sort of people, and not altogether to be despised.
Public-domain text, read in full here on John Shaqi.
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