The collected works of William Hazlitt, Vol. 06 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 06 (of 12)
Hazlitt, William
English essays -- 19th century
Windham was a regular manufacturer of paradoxes.
The greatest number of minds seem utterly incapable of fixing on any
conclusion, except from the pressure of custom and authority: opposed to
these, there is another class less numerous but pretty formidable, who
in all their opinions are equally under the influence of novelty and
restless vanity. The prejudices of the one are counter-balanced by the
paradoxes of the other; and folly, ‘putting in one scale a weight of
ignorance, in that of pride,’ might be said to ‘smile delighted with the
eternal poise.’ A sincere and manly spirit of inquiry is neither blinded
by example nor dazzled by sudden flashes of light. Nature is always the
same, the store-house of lasting truth, and teeming with inexhaustible
variety; and he who looks at her with steady and well-practised eyes,
will find enough to employ all his sagacity, whether it has or has not
been seen by others before him. Strange as it may seem, to learn what
any object is, the true philosopher looks at the object itself, instead
of turning to others to know what they think or say or have heard of it,
or instead of consulting the dictates of his vanity, petulance, and
ingenuity, to see what can be said against their opinion, and to prove
himself wiser than all the rest of the world. For want of this, the real
powers and resources of the mind are lost and dissipated in a conflict
of opinions and passions, of obstinacy against levity, of bigotry
against self-conceit, of notorious abuses against rash innovations, of
dull, plodding, old-fashioned stupidity against new-fangled folly, of
worldly interest against headstrong egotism, of the incorrigible
prejudices of the old and the unmanageable humours of the young; while
truth lies in the middle, and is overlooked by both parties. Or as
Luther complained long ago, ‘human reason is like a drunken man on
horseback: set it up on one side, and it tumbles over on the
other.’—With one sort, example, authority, fashion, ease, interest, rule
all: with the other, singularity, the love of distinction, mere whim,
the throwing off all restraint and showing an heroic disregard of
consequences, an impatient and unsettled turn of mind, the want of
sudden and strong excitement, of some new play-thing for the
imagination, are equally ‘lords of the ascendant,’ and are at every step
getting the start of reason, truth, nature, common sense and feeling.
With one party, whatever is, is right: with their antagonists, whatever
is, is wrong. These swallow every antiquated absurdity: those catch at
every new, unfledged project—and are alike enchanted with the
velocipedes or the French Revolution. One set, wrapped up in
impenetrable forms and technical traditions, are deaf to every thing
that has not been dinned in their ears, and in those of their
forefathers, from time immemorial: their hearing is _thick_ with the
same old saws, the same unmeaning form of words, everlastingly repeated:
Public-domain text, read in full here on John Shaqi.
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