The collected works of William Hazlitt, Vol. 06 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 06 (of 12)
Hazlitt, William
English essays -- 19th century
and of the two I should prefer the good-natured side. I would as soon
agree with my barber as differ from him: and why should I make a point
of reversing the sentence of the Whitechapel orders? Or how can it
affect my opinion of the merits of an actor at the Cobourg or the Surrey
theatres, that these theatres are in or out of the Bills of Mortality?
This is an easy, short-hand way of judging, as gross as it is
mechanical. It is not a difficult matter to settle questions of taste by
consulting the map of London, or to prove your liberality by
geographical distinctions. Janus jumbles things together strangely. If
he had seen Mr. Kean in a provincial theatre, at Exeter or Taunton, he
would have thought it vulgar to admire him: but when he had been stamped
in London, Janus would no doubt shew his discernment and the subtlety of
his tact for the display of character and passion, by not being behind
the fashion. The Miss Dennetts are ‘little unformed girls,’ for no other
reason than because they danced at one of the Minor Theatres: let them
but come out on the Opera boards, and let the beauty and fashion of the
season greet them with a fairy shower of delighted applause, and they
would outshine Milanie ‘with the foot of fire.’ His gorge rises at the
mention of a certain quarter of the town: whatever passes current in
another, he ‘swallows total grist unsifted, husks and all.’ This is not
taste, but folly. At this rate, the hackney-coachman who drives him, or
his horse Contributor, whom he has introduced as a select personage to
the vulgar reader, knows as much of the matter as he does. In a word,
the answer to all this in the first instance is to say what vulgarity
is. Now its essence, I imagine, consists in taking manners, actions,
words, opinions on trust from others, without examining one’s own
feelings or weighing the merits of the case. It is coarseness or
shallowness of taste arising from want of individual refinement,
together with the confidence and presumption inspired by example and
numbers. It may be defined to be a prostitution of the mind or body to
ape the more or less obvious defects of others, because by so doing we
shall secure the suffrages of those we associate with. To affect a
gesture, an opinion, a phrase, because it is the rage with a large
number of persons, or to hold it in abhorrence because another set of
persons very little, if at all, better informed, cry it down to
distinguish themselves from the former, is in either case equal
vulgarity and absurdity. A thing is not vulgar merely because it is
common. ’Tis common to breathe, to see, to feel, to live. Nothing is
vulgar that is natural, spontaneous, unavoidable. Grossness is not
vulgarity, ignorance is not vulgarity, awkwardness is not vulgarity: but
all these become vulgar when they are affected and shewn off on the
authority of others, or to fall in with _the fashion_ or the company we
keep. Caliban is coarse enough, but surely he is not vulgar. We might as
Public-domain text, read in full here on John Shaqi.
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