The collected works of William Hazlitt, Vol. 06 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 06 (of 12)
Hazlitt, William
English essays -- 19th century
In truth, we impose upon ourselves, and know not what we wish. It is a
cunning artifice, a quaint delusion, by which, in pretending to be what
we were at a particular moment of time, we would fain be all that we
have since been, and have our lives to come over again. It is not the
little, glimmering, almost annihilated speck in the distance, that
rivets our attention and ‘hangs upon the beatings of our hearts:’ it is
the interval that separates us from it, and of which it is the trembling
boundary, that excites all this coil and mighty pudder in the breast.
Into that great gap in our being ‘come thronging soft desires’ and
infinite regrets. It is the contrast, the change from what we then were,
that arms the half-extinguished recollection with its giant-strength,
and lifts the fabric of the affections from its shadowy base. In
contemplating its utmost verge, we overlook the map of our existence,
and re-tread, in apprehension, the journey of life. So it is that in
early youth we strain our eager sight after the pursuits of manhood;
and, as we are sliding off the stage, strive to gather up the toys and
flowers that pleased our thoughtless childhood.
When I was quite a boy, my father used to take me to the Montpelier
Tea-gardens at Walworth. Do I go there now? No; the place is deserted,
and its borders and its beds o’erturned. Is there, then, nothing that
can
‘Bring back the hour
Of glory in the grass, of splendour in the flower?’
Oh! yes. I unlock the casket of memory, and draw back the warders of the
brain; and there this scene of my infant wanderings still lives unfaded,
or with fresher dyes. A new sense comes upon me, as in a dream; a richer
perfume, brighter colours start out; my eyes dazzle; my heart heaves
with its new load of bliss, and I am a child again. My sensations are
all glossy, spruce, voluptuous, and fine: they wear a candied coat, and
are in holiday trim. I see the beds of larkspur with purple eyes; tall
holy-oaks, red and yellow; the broad sun-flowers, caked in gold, with
bees buzzing round them; wildernesses of pinks, and hot-glowing pionies;
poppies run to seed; the sugared lily, and faint mignionette, all ranged
in order, and as thick as they can grow; the box-tree borders; the
gravel-walks, the painted alcove, the confectionary, the clotted
cream:—I think I see them now with sparkling looks; or have they
vanished while I have been writing this description of them? No matter;
they will return again when I least think of them. All that I have
observed since, of flowers and plants, and grass-plots, and of suburb
delights, seems, to me, borrowed from ‘that first garden of my
innocence’—to be slips and scions stolen from that bed of memory. In
this manner the darlings of our childhood burnish out in the eye of
after-years, and derive their sweetest perfume from the first heartfelt
sigh of pleasure breathed upon them,
Public-domain text, read in full here on John Shaqi.
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