The collected works of William Hazlitt, Vol. 07 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 07 (of 12)
Hazlitt, William
English essays -- 19th century
H. Yes: but I doubt whether he could have added it in practice. I think
the indifference, in the first instance, arises from the want of taste
and capacity. If Fuseli had possessed an eye for colour, he would not
have despised it in Vandyke. But we reduce others to the limits of our
own capacity. We think little of what we cannot do, and envy it where we
imagine that it meets with disproportioned admiration from others. A
dull, pompous, and obscure writer has been heard to exclaim, ‘That
_dunce_, Wordsworth!’ This was excusable in one who is utterly without
feeling for any objects in nature, but those which would make splendid
furniture for a drawing-room, or any sentiment of the human heart, but
that with which a slave looks up to a despot, or a despot looks down
upon a slave. This contemptuous expression was an effusion of spleen and
impatience at the idea that there should be any who preferred
Wordsworth’s descriptions of a daisy or a linnet’s nest to his
_auctioneer_-poetry about curtains, and palls, and sceptres, and
precious stones: but had Wordsworth, in addition to his original sin of
simplicity and true genius, been a popular writer, his contempt would
have turned into hatred. As it is, he tolerates his _idle nonsense_:
there is a link of friendship in mutual political servility; and
besides, he has a fellow-feeling with him, as one of those writers of
whose merits the world have not been fully sensible. Mr. Croley set out
with high pretensions, and had some idea of rivalling Lord Byron in a
certain lofty, imposing style of versification: but he is probably by
this time convinced that mere constitutional _hauteur_ as ill supplies
the place of elevation of genius, as of the pride of birth; and that the
public know how to distinguish between a string of gaudy, painted,
turgid phrases, and the vivid creations of fancy, or touching
delineations of the human heart.
N. What did you say the writer’s name was?
H. Croley. He is one of the Royal Society of Authors.
N. I never heard of him. Is he an imitator of Lord Byron, did you say?
H. I am afraid neither he nor Lord Byron would have it thought so.
Public-domain text, read in full here on John Shaqi.
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