The collected works of William Hazlitt, Vol. 07 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 07 (of 12)
Hazlitt, William
English essays -- 19th century
There was but this one question in mine. I had made an abstract,
metaphysical principle of this question. I was not the dupe of the voice
of the charmers. By my hatred of tyrants I knew what their hatred of the
free-born spirit of man must be, of the semblance, of the very name of
Liberty and Humanity. And while others bowed their heads to the image of
the BEAST, I spit upon it and buffetted it, and made mouths at it, and
pointed at it, and drew aside the veil that then half concealed it, but
has been since thrown off, and named it by its right name; and it is not
to be supposed that my having penetrated their mystery would go
unrequited by those whose darling and whose delight the idol,
half-brute, half-demon, was, and who were ashamed to acknowledge the
image and superscription as their own! Two half-friends of mine, who
would not make a whole one between them, agreed the other day that the
indiscriminate, incessant abuse of what I write was mere prejudice and
party-spirit, and that what I do in periodicals and without a name does
well, pays well, and is ‘cried out upon in the top of the compass.’ It
is this indeed that has saved my shallow skiff from quite foundering on
Tory spite and rancour; for when people have been reading and approving
an article in a miscellaneous journal, it does not do to say when they
discover the author afterwards (whatever might have been the case
before) it is written by a blockhead; and even Mr. Jerdan recommends the
volume of CHARACTERISTICS as an excellent little work, because it has no
cabalistic name in the title-page, and swears ‘there is a first-rate
article of forty pages in the last number of the Edinburgh from
Jeffrey’s own hand,’ though when he learns against his will that it is
mine, he devotes three successive numbers of the LITERARY GAZETTE to
abuse ‘that _strange_ article in the last number of the Edinburgh
Review.’ Others who had not this advantage have fallen a sacrifice to
the obloquy attached to the suspicion of doubting, or of being
acquainted with any one who is known to doubt, the divinity of kings.
Poor Keats paid the forfeit of this _lezè majesté_ with his health and
life. What, though his Verses were like the breath of spring, and many
of his thoughts like flowers—would this, with the circle of critics that
beset a throne, lessen the crime of their having been praised in the
Examiner? The lively and most agreeable Editor of that paper has in like
manner been driven from his country and his friends who delighted in
him, for no other reason than having written the Story of Rimini, and
asserted ten years ago, ‘that the most accomplished prince in Europe was
an Adonis of fifty!’
‘Return, Alpheus, the dread voice is past,
That shrunk thy streams; return, Sicilian Muse!’
Public-domain text, read in full here on John Shaqi.
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