Laziness has a great deal to do in the question, and this again is owing to a state of feeling sufficient to itself, and rich in enjoyment without the help of action. Clothilde (the finest and darkest of the Gensano girls) fixes herself at her door about noon (when her day’s work is done): her smile reflects back the brightness of the sun, she darts upon a little girl with a child in her arms, nearly overturns both, devours it with kisses, and then resumes her position at the door, with her hands behind her back and her shoes down at heel. This slatternliness and negligence is the more remarkable in so fine a girl, and one whose ordinary costume is a gorgeous picture, but it is a part of the character; her dress would never have been so rich, if she could take more pains about it—they have no nervous or fidgetty feeling whether a thing is coming off or not: all their sensations, as it were, sit loose upon them. Their clothes are no part of themselves,—they even fling their limbs about as if they scarcely belonged to them; the heat in summer requires the utmost freedom and airiness (which becomes a habit), and they have nothing tight-bound or strait-laced about their minds or bodies. The same girl in winter (for ‘dull, cold winter does inhabit here’ also) would have a _scaldaletto_ (an earthen pan with coals in it) dangling at her wrists for four months together, without any sense of incumbrance or distraction, or any other feeling but of the heat it communicated to her hands. She does not mind its chilling the rest of her body or disfiguring her hands, making her fingers look like ‘long purples’—these children of nature ‘take the good the Gods provide them,’ and trouble themselves little about consequences or appearances. Their self-will is much stronger than their vanity—they have as little curiosity about others as concern for their good opinion. Two Italian peasants talking by the roadside will not so much as turn their heads to look at an English carriage that is passing. They have no interest except in what is personal, sensual. Hence they have as little tenaciousness on the score of property as in the acquisition of ideas. They want neither. Their good spirits are food, clothing, and books to them. They are fond of comfort too, but their notion of it differs from ours—ours consists in accumulating the means of enjoyment, theirs in being free to enjoy, in the dear _far niente_. What need have they to encumber themselves with furniture or wealth or business, when all they require (for the most part) is air, a bunch of grapes, bread, and stone-walls? The Italians, generally speaking, have nothing, do nothing, want nothing,—to the surprise of foreigners, who ask how they live? The men are too lazy to be thieves, the women to be something else. The dependence of the Swiss and English on their comforts, that is, on all ‘appliances and means to boot,’ as helps to enjoyment or hindrances to