The collected works of William Hazlitt, Vol. 07 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 07 (of 12)
Hazlitt, William
English essays -- 19th century
My father Shandy solaced himself with Bruscambille. Give me for this
purpose a volume of Peregrine Pickle or Tom Jones. Open either of them
any where—at the Memoirs of Lady Vane, or the adventures at the
masquerade with Lady Bellaston, or the disputes between Thwackum and
Square, or the escape of Molly Seagrim, or the incident of Sophia and
her muff, or the edifying prolixity of her aunt’s lecture—and there I
find the same delightful, busy, bustling scene as ever, and feel myself
the same as when I was first introduced into the midst of it. Nay,
sometimes the sight of an odd volume of these good old English authors
on a stall, or the name lettered on the back among others on the shelves
of a library, answers the purpose, revives the whole train of ideas, and
sets ‘the puppets dallying.’ Twenty years are struck off the list, and I
am a child again. A sage philosopher, who was not a very wise man, said,
that he should like very well to be young again, if he could take his
experience along with him. This ingenious person did not seem to be
aware, by the gravity of his remark, that the great advantage of being
young is to be without this weight of experience, which he would fain
place upon the shoulders of youth, and which never comes too late with
years. Oh! what a privilege to be able to let this hump, like
Christian’s burthen, drop from off one’s back, and transport one’s self,
by the help of a little musty duodecimo, to the time when ‘ignorance was
bliss,’ and when we first got a peep at the rarée-show of the world,
through the glass of fiction—gazing at mankind, as we do at wild beasts
in a menagerie, through the bars of their cages,—or at curiosities in a
museum, that we must not touch! For myself, not only are the old ideas
of the contents of the work brought back to my mind in all their
vividness, but the old associations of the faces and persons of those I
then knew, as they were in their life-time—the place where I sat to read
the volume, the day when I got it, the feeling of the air, the fields,
the sky—return, and all my early impressions with them. This is better
to me—those places, those times, those persons, and those feelings that
come across me as I retrace the story and devour the page, are to me
better far than the wet sheets of the last new novel from the Ballantyne
press, to say nothing of the Minerva press in Leadenhall-street. It is
like visiting the scenes of early youth. I think of the time ‘when I was
in my father’s house, and my path ran down with butter and honey,’—when
I was a little, thoughtless child, and had no other wish or care but to
con my daily task, and be happy!—Tom Jones, I remember, was the first
work that broke the spell. It came down in numbers once a fortnight, in
Cooke’s pocket-edition, embellished with cuts. I had hitherto read only
in school-books, and a tiresome ecclesiastical history (with the
exception of Mrs. Radcliffe’s Romance of the Forest): but this had a
Public-domain text, read in full here on John Shaqi.
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