the French who have supplied their readers with the greatest number of dazzling conclusions founded on the most slight and superficial evidence, whose reasonings could be applied to every thing, because they explained nothing, and who most effectually kept out of sight every thing true or profound or interesting in a question. Who would ever think of plunging into abstruse, metaphysical inquiries concerning the nature of the understanding, when he may with entire ease to himself and satisfaction to others solve all the phenomena of the mind by repeating in three words, _Juger est sentir_. As it was the object of the school-philosophy, by a jargon of technical distinctions, to sharpen the eagerness of debate and give birth to endless verbal controversies, so the modern system, transferring philosophy from the cloistered hall to the toilette and the drawing-room, is calculated, by a set of portable phrases, as familiar and as current as the forms of salutation, to silence every difference of opinion, and to produce an euthanasia of all thought. I have made these remarks not to prejudice the question, but to prevent the prejudice arising on the other side, from seeing the writers of a whole nation, not deficient in natural talents or in acquired advantages, agree in delivering the most puerile absurdities as profound and oracular truths. The train of thought into which the author has fallen in the passage above cited is pretty obvious. Having undertaken to prove that the ideas of justice and mercy are mere sensations, and that the conclusion that justice is preferable to mercy is also a mere sensation, in order to shew the possibility of this he conjures up the ideas of a good and a bad king, of a criminal, a prison, chains, a dagger, and fifty citizens massacred before the eyes of the spectator, which form the subject of three imaginary pictures, and which are in general considered as so many sensible objects. All these sensible objects he supposes to be implied in, and to be the materials out of which we frame the judgment or conclusion, that justice is better than mercy; and therefore he infers that there is nothing else implied in or necessary to that judgment, and that consequently it is nothing but a sensation. Having succeeded in resolving the compound and general ideas of justice and mercy, good and evil, into a number of sensible appearances, his imagination is entirely occupied with the novelty of the objects before him, and he drops altogether the consideration, whether the combination and comparison of these several objects or sensations which is absolutely necessary to their forming the moral ideas or inference spoken of, is not the act of some other faculty. In short, the principle that a judgment is nothing but a sensation, is not only a perfectly gratuitous assertion, but an assertion either without meaning, or a palpable contradiction. For the single objects presented in the foregoing metaphysical pictures, and