The collected works of William Hazlitt, Vol. 11 (of 12)Hazlitt, William
Philosophy
The collected works of William Hazlitt, Vol. 11 (of 12)
Hazlitt, William
English essays -- 19th century
‘This strong combination of ideas, not allied by nature, the mind makes
in itself either voluntarily or by chance: and hence it comes in
different men to be very different, according to their different
inclinations, educations, interests, &c. Custom settles habits of
thinking in the understanding, as well as of determining in the will,
and of motions in the body: all which seems to be but trains of motion
in the animal spirits, which once set agoing continue in the same steps
they have been used to, which by often treading are worn into a smooth
path, and the motion in it becomes easy, and as it were natural. As far
as we can comprehend thinking, thus ideas seem to be produced in our
minds; or if they are not, this may serve to explain their following one
another in an habitual train when once they are put into that track, as
well as it does to explain such motions of the body. A musician used to
any tune will find, that let it but once begin in his head, the ideas of
the several notes of it will follow one another orderly in his
understanding, without any care or attention, as regularly as his finger
moves orderly over the keys of the organ to play out the tune he has
begun, though his inattentive thoughts be elsewhere a wandering. Whether
the natural cause of these ideas, as well as of that regular dancing of
the fingers, be the motion of his animal spirits, I will not determine,
how probable soever by this instance it appears to be so; but this may
help us a little to conceive of intellectual habits, and of the tying
together of ideas. That there are such associations of them made by
custom in the minds of most men, I think nobody will question, who has
well considered himself or others; and to this perhaps might be justly
attributed most of the sympathies and antipathies observable in men,
which work as strongly and produce as regular effects as if they were
natural, and are therefore called so, though they at first had no other
original but the accidental connexion of two ideas, which either the
strength of the first impression or future indulgence so united, that
they always afterwards kept company together in that man’s mind, as if
they were but one idea. I say, most of the antipathies, I do not say
all; for some of them are truly natural, depend upon our original
constitution, and are born with us; but a great part of those which are
counted natural, would have been known to be from unheeded though
perhaps early impressions, or wanton fancies at first, which would have
been acknowledged the original of them, if they had been warily
observed.’
The former part of this passage, relating to the dancing of the animal
spirits, the Abbé Condillac in his ‘Logic’ has paraphrased with a
self-sufficiency, an assumption of originality, and a smoothness of
flippancy, peculiar almost to himself.
Public-domain text, read in full here on John Shaqi.
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