The collected works of William Hazlitt, Vol. 11 (of 12)Hazlitt, William
Philosophy
The collected works of William Hazlitt, Vol. 11 (of 12)
Hazlitt, William
English essays -- 19th century
Mr. Locke has not, I think, himself enough attended to this admirable
caution in his adoption of the common argument to demonstrate the
existence of God _à priori_, towards which I conceive not the slightest
advances can be made in this method. For the axiom that every thing must
have a cause can never be made to infer the existence of a first cause,
that is, of something without a cause. It is equally impossible for the
human mind to conceive of the beginning of existence, or to pass from
nothing to something, either by the help of an infinite series of finite
existences, or by the infinite duration of one simple, absolute
existence. Those who wish to see how far human ingenuity can push a
complete confusion of ideas into the verge of the strictest logical
demonstration and self-evident truth, may find all that they want in Dr.
Clarke’s celebrated work on the ‘Attributes,’ which contains more
logical acuteness and more power of scholastic disputation than any
other work that I know of in modern times. Hartley has lost himself in
the same endless labyrinth of finite and infinite series. And Locke’s
statement of this question is only better, because it is shorter, and
goes straight forward, without stopping to answer difficulties.
ON TOOKE’S ‘DIVERSIONS OF PURLEY’
I would class the merits of Mr. Tooke’s work under three heads: the
etymological, the grammatical, and the philosophical. The etymological
part is excellent, the grammatical part indifferent, and the
philosophical part to the last degree despicable; it is downright,
unqualified, unredeemed nonsense. As Mr. Tooke himself says that all
metaphysical reasoning is nonsense, it is scarcely rude to say that
_his_ metaphysical reasoning is so. It appears to me to be ‘mere
midsummer madness.’ He ought not indeed to have meddled with logic or
metaphysics after such a declaration; he ought to have supposed that he
laboured under some natural defect in this respect, as a man who finds
no harmony in any tune that is played to him, may without much modesty
conclude that he has no ear for music.
The opinion which I have here advanced of this writer’s merits as a
general reasoner may seem a bold one; but the proof of it is not
difficult; it is as easy as transcribing. I have only to take a few
passages in which he has applied etymology to the illustration of moral
and metaphysical truth, to make his undistinguishing admirers blush, not
for their idol, but for the weakness and bounded faculties of human
nature.
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