The collected works of William Hazlitt, Vol. 11 (of 12)Hazlitt, William
Philosophy
The collected works of William Hazlitt, Vol. 11 (of 12)
Hazlitt, William
English essays -- 19th century
of the imagination; and these make the same direct appeal to that
faculty, whether they relate to ourselves or to others, as the eye
receives with equal directness the impression of our own external form
or that of others. It will be easy to perceive by this train of
reasoning how, notwithstanding the contradiction involved in the
supposition of a generally absolute self-interest, the mind comes to
feel a deep and habitual conviction of the truth of this principle.
Finding in itself a continued consciousness of its past impressions, it
is naturally enough disposed to transfer the same sort of identity and
consciousness to the whole of its being. The objects of imagination and
of the senses are, as it were, perpetually playing into one another’s
hands, and shifting characters, so that we lose our reckoning, and do
not think it worth while to mark where the one ends and the other
begins. As our actual being is constantly passing into our future being,
and carries the internal feeling of consciousness along with it, we seem
to be already identified with our future being in this permanent part of
our nature, and to feel by a mutual impulse the same necessary sympathy
with our future selves that we know we shall have with our past selves.
We take the tablets of memory, reverse them, and stamp the image of self
on that which as yet possesses nothing but the name. It is no wonder
then that the imagination, constantly disregarding the progress of time,
when its course is marked out along the straight unbroken line of
individuality, should confound the necessary differences of things, and
convert a distant object into a present reality. The interest which is
hereafter to be felt by this continued conscious being, this indefinite
unit, called _me_, seems necessarily to affect me in every state of my
existence,—‘thrills in each nerve, and lives along the line.’ In the
first place we abstract the successive modifications of our being, and
_particular_ temporary interests, into one simple nature and general
principle of self-interest, and then make use of this nominal
abstraction as an artificial medium to compel those particular actual
interests into the closest affinity and union with each other, as
different lines meeting in the same centre must have a mutual
communication with each other. On the contrary, as I always remain
perfectly distinct from others (the interest which I take in their
former or present feelings being like that which I take in their future
feelings, never any thing more than the effect of imagination and
sympathy), the same illusion and transposition of ideas cannot take
place with regard to these; namely, the confounding a physical impulse
with the rational motives to action. Indeed the uniform nature of my
feelings with regard to others (my interest in their welfare having
always the same source and sympathy) seems by analogy to confirm the
supposition of a similar simplicity in my relation to myself, and of a
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