The collected works of William Hazlitt, Vol. 12 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 12 (of 12)
Hazlitt, William
English essays -- 19th century
apprehensions sound like blasphemy.[28] In earlier times, before the
diffusion of luxury, of knowledge, and other sources of enjoyment had
become common, and acted as a diversion to the cravings of avarice, the
passionate admiration, the idolatry, the hunger and thirst of wealth and
all its precious symbols, was a kind of madness or hallucination, and
Mammon was truly worshipped as a god!
It is among the miseries of the want of money, not to be able to pay
your reckoning at an inn—or, if you have just enough to do that, to have
nothing left for the waiter;—to be stopped at a turnpike gate, and
forced to turn back;—not to venture to call a hackney-coach in a shower
of rain—(when you have only one shilling left yourself, it is a _bore_
to have it taken out of your pocket by a friend, who comes into your
house eating peaches in a hot summer’s day, and desiring you to pay for
the coach in which he visits you);—not to be able to purchase a
lottery-ticket, by which you might make your fortune, and get out of all
your difficulties;—or to find a letter lying for you at a country
post-office, and not to have money in your pocket to free it, and be
obliged to return for it the next day. The letter so unseasonably
withheld may be supposed to contain money, and in this case there is a
foretaste, a sort of actual possession taken through the thin folds of
the paper and the wax, which in some measure indemnifies us for the
delay: the bank-note, the post-bill seems to smile upon us, and shake
hands through its prison bars;—or it may be a love-letter, and then the
tantalization is at its height: to be deprived in this manner of the
only consolation that can make us amends for the want of money, by this
very want—to fancy you can see the name—to try to get a peep at the
hand-writing—to touch the seal, and yet not dare to break it open—is
provoking indeed—the climax of amorous and gentlemanly distress. Players
are sometimes reduced to great extremity, by the seizure of their scenes
and dresses, or (what is called) _the property of the theatre_, which
hinders them from acting; as authors are prevented from finishing a
work, for want of money to buy the books necessary to be consulted on
some material point or circumstance, in the progress of it. There is a
set of poor devils, who live upon a printed _prospectus_ of a work that
never will be written, for which they solicit your name and
half-a-crown. Decayed actresses take an annual benefit at one of the
theatres; there are patriots who live upon periodical subscriptions, and
critics who go about the country lecturing on poetry. I confess I envy
none of these; but there are persons who, provided they can live, care
not how they live—who are fond of display, even when it implies
exposure; who court notoriety under every shape, and embrace the public
with demonstrations of wantonness. There are genteel beggars, who send
up a well-penned epistle requesting the loan of a shilling. Your snug
Public-domain text, read in full here on John Shaqi.
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