The collected works of William Hazlitt, Vol. 12 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 12 (of 12)
Hazlitt, William
English essays -- 19th century
imagination can come into play, our desires outrun their accomplishment.
Persons of this extravagant humour should addict themselves to eloquence
or poetry, where the thought ‘leaps at once to its effect,’ and is
wafted, in a metaphor or an apostrophe, ‘from Indus to the Pole;’ though
even there we should find enough, in the preparatory and mechanical
parts of those arts, to try our patience and mortify our vanity! The
first and strongest impulse of the mind is to achieve any object, on
which it is set, at once, and by the shortest and most decisive means;
but, as this cannot always be done, we ought not to neglect other more
indirect and subordinate aids; nor should we be tempted to do so, but
that the delusions of the will interfere with the convictions of the
understanding, and what we ardently wish, we fancy to be both possible
and true. Let us take the instance of copying a fine picture. We are
full of the effect we intend to produce; and so powerfully does this
prepossession affect us, that we imagine we have produced it, in spite
of the evidence of our senses and the suggestions of friends. In truth,
after a number of violent and anxious efforts to strike off a
resemblance which we passionately long for, it seems an injustice not to
have succeeded; it is too late to retrace our steps, and begin over
again in a different method; we prefer even failure to arriving at our
end by petty, mechanical tricks and rules; we have copied Titian or
Rubens in the spirit in which they ought to be copied; though the
likeness may not be perfect, there is a look, a tone, a _something_,
which we chiefly aimed at, and which we persuade ourselves, seeing the
copy only through the dazzled, hectic flush of feverish imagination, we
have really given; and thus we persist, and make fifty excuses, sooner
than own our error, which would imply its abandonment; or, if the light
breaks in upon us, through all the disguises of sophistry and self-love,
it is so painful that we shut our eyes to it. The more evident our
failure, the more desperate the struggles we make to conceal it from
ourselves, to stick to our original determination, and end where we
began.
Public-domain text, read in full here on John Shaqi.
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