The collected works of William Hazlitt, Vol. 12 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 12 (of 12)
Hazlitt, William
English essays -- 19th century
When you speak of the popular effect and enthusiasm produced by the
ceremonies of the Catholic church, it is presently objected that all
this faith and zeal is excited by mummery and superstition. I am ready
to allow that; and when I find that truth and reason have the same
homage and reverence paid to them as absurdity and falsehood, I shall
think all the advantages are clearly on the side of the former. The
processes of reason do not commonly afford the elements of passion as
their result; and the object of strong and even lofty feeling seems to
appeal rather to the grossness and incongruity of the senses and
imagination, than to the clear and dry deductions of the understanding.
Man has been truly defined a _religious animal_; but his faith and
heavenward aspirations cease if you reduce him to a mere mathematical
machine. The glory and the power of the true religion are in its
enlisting the affections of man along with the understanding.
LVIII
We are imposed upon by the affectation of grace and gentility only till
we see the reality; and then we laugh at the counterfeit, and are
surprised that we did not see through it before.
LIX
English women, even of the highest rank, look like _dowdies_ in Paris;
or exactly as countrywomen do in London. It is a _rule-of-three_
proportion. A French milliner or servant maid laughs (not without
reason) at an English Duchess. The more our fair country women dress _à
la Française_, the more unlucky they seem; and the more foreign graces
they give themselves, the more awkward they grow. They want the
_tournure_ Françoise. Oh! how we have ‘melted, thawed, and dissolved
into a dew,’ to see a bustling, red-faced, bare-necked English Duchess,
or banker’s wife, come into a box at the French theatre, bedizened and
bedaubed! My Lady-mayoress or the Right Honourable the Countess Dowager
of ——, before she ventures on the word _vulgar_, or scorns her untitled
and untutored neighbours as beneath her notice, should go to see _les
Angloises pour rire_! _That_ is the looking-glass for upstart wealth and
inflated aristocracy.
LX
The advantage of our nobility over the plebeian classes is said to be in
the blood and in the breed—the Norman breed, we suppose—the high noses
and arched eyebrows date from the Conquest. We plead guilty to the
insinuation conveyed in the expression—‘the coronet face’—and bow with
some sort of pride to the pride of birth. But this hypothesis is hardly
compatible with the evident improvement in the present generation of
noblemen and gentlemen by the intermarriages with rich heiresses, or the
beautiful Pamelas of an humbler stock. _Crossing the breed_ has done
much good; for the actual race of Bond-street loungers would make a very
respectable regiment of grenadiers; and the satire on Beau Didapper, in
Fielding’s Joseph Andrews, has lost its force.
LXI
Public-domain text, read in full here on John Shaqi.
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