The collected works of William Hazlitt, Vol. 12 (of 12)Hazlitt, William
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The collected works of William Hazlitt, Vol. 12 (of 12)
Hazlitt, William
English essays -- 19th century
For is it not brought back, ‘like morn risen on mid-_night_‘; and may he
not yet greet the yellow light shining on the evening bank with eyes of
youth, of genius, and freedom, as of yore? No, never! But what would not
these persons give for the unbroken integrity of their early
opinions—for one unshackled, uncontaminated strain—one _Io pæan_ to
Liberty—one burst of indignation against tyrants and sycophants, who
subject other countries to slavery by force, and prepare their own for
it by servile sophistry, as we see the huge serpent lick over its
trembling, helpless victim with its slime and poison, before it devours
it! On every stanza so penned should be written the word RECREANT! Every
taunt, every reproach, every note of exultation at restored light and
freedom, would recal to them how their hearts failed them in the Valley
of the Shadow of Death. And what shall we say to _him_—the sleep-walker,
the dreamer, the sophist, the word-hunter, the craver after sympathy,
but still vulnerable to truth, accessible to opinion, because not sordid
or mechanical? The Bourbons being no longer tied about his neck, he may
perhaps recover his original liberty of speculating; so that we may
apply to him the lines about his own _Ancient Mariner_—
‘And from his neck so free
The Albatross fell off, and sank
Like lead into the sea.’
This is the reason I can write an article on the _Letter-Bell_, and
other such subjects; I have never given the lie to my own soul. If I
have felt any impression once, I feel it more strongly a second time;
and I have no wish to revile or discard my best thoughts. There is at
least a thorough _keeping_ in what I write—not a line that betrays a
principle or disguises a feeling. If my wealth is small, it all goes to
enrich the same heap; and trifles in this way accumulate to a tolerable
sum. Or if the Letter-Bell does not lead me a dance into the country, it
fixes me in the thick of my town recollections, I know not how long ago.
It was a kind of alarm to break off from my work when there happened to
be company to dinner or when I was going to the play. _That_ was going
to the play, indeed, when I went twice a year, and had not been more
than half a dozen times in my life. Even the idea that any one else in
the house was going, was a sort of reflected enjoyment, and conjured up
a lively anticipation of the scene. I remember a Miss D——, a maiden lady
from Wales (who in her youth was to have been married to an earl),
tantalised me greatly in this way, by talking all day of going to see
Mrs. Siddons’ ‘airs and graces’ at night in some favourite part; and
when the Letter-Bell announced that the time was approaching, and its
last receding sound lingered on the ear, or was lost in silence, how
anxious and uneasy I became, lest she and her companion should not be in
time to get good places—lest the curtain should draw up before they
Public-domain text, read in full here on John Shaqi.
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