The collected works of William Hazlitt, Vol. 12 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 12 (of 12)
Hazlitt, William
English essays -- 19th century
I arrived, and was well received. The country about Nether Stowey is
beautiful, green and hilly, and near the sea-shore. I saw it but the
other day, after an interval of twenty years, from a hill near Taunton.
How was the map of my life spread out before me, as the map of the
country lay at my feet! In the afternoon, Coleridge took me over to
All-Foxden, a romantic old family-mansion of the St. Aubins, where
Wordsworth lived. It was then in the possession of a friend of the
poet’s, who gave him the free use of it. Somehow that period (the time
just after the French Revolution) was not a time when _nothing was given
for nothing_. The mind opened, and a softness might be perceived coming
over the heart of individuals, beneath ‘the scales that fence’ our
self-interest. Wordsworth himself was from home, but his sister kept
house, and set before us a frugal repast; and we had free access to her
brother’s poems, the _Lyrical Ballads_, which were still in manuscript,
or in the form of _Sybilline Leaves_. I dipped into a few of these with
great satisfaction, and with the faith of a novice. I slept that night
in an old room with blue hangings, and covered with the round-faced
family-portraits of the age of George I. and II. and from the wooded
declivity of the adjoining park that overlooked my window, at the dawn
of day, could
‘——hear the loud stag speak.’
In the outset of life (and particularly at this time I felt it so) our
imagination has a body to it. We are in a state between sleeping and
waking, and have indistinct but glorious glimpses of strange shapes, and
there is always something to come better than what we see. As in our
dreams the fulness of the blood gives warmth and reality to the coinage
of the brain, so in youth our ideas are clothed, and fed, and pampered
with our good spirits; we breathe thick with thoughtless happiness, the
weight of future years presses on the strong pulses of the heart, and we
repose with undisturbed faith in truth and good. As we advance, we
exhaust our fund of enjoyment and of hope. We are no longer wrapped in
_lamb’s-wool_, lulled in Elysium. As we taste the pleasures of life,
their spirit evaporates, the sense palls; and nothing is left but the
phantoms, the lifeless shadows of what _has been_!
That morning, as soon as breakfast was over, we strolled out into the
park, and seating ourselves on the trunk of an old ash-tree that
stretched along the ground, Coleridge read aloud with a sonorous and
musical voice, the ballad of _Betty Foy_. I was not critically or
sceptically inclined. I saw touches of truth and nature, and took the
rest for granted. But in the _Thorn_, the _Mad Mother_, and the
_Complaint of a Poor Indian Woman_, I felt that deeper power and pathos
which have been since acknowledged,
‘In spite of pride, in erring reason’s spite,’
Public-domain text, read in full here on John Shaqi.
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