The collected works of William Hazlitt, Vol. 12 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 12 (of 12)
Hazlitt, William
English essays -- 19th century
We want a Burke to give the thing a legitimate turn at present. I am
afraid the Editor of the _New Times_ can hardly supply his place. They
could hardly have done before, without that eloquent apostate, that
brilliant sophist, to throw his pen into the scale against truth and
liberty. He varnished over a bad cause with smooth words, and had power
to ‘make the worse appear the better reason’—the devil’s boast! The
madness of genius was necessary to second the madness of a court; his
flaming imagination was the torch that kindled the smouldering fire in
the inmost sanctuary of pride and power, and spread havoc, dismay, and
desolation through the world. The light of his imagination, sportive,
dazzling, beauteous as it seemed, was followed by the stroke of death.
It so happens that I myself have played all my life with his forked
shafts unhurt, because I had a metaphysical clue to carry off the
noxious particles, and let them sink into the earth, like drops of
water. But the English nation are not a nation of metaphysicians, or
they would have detected, and smiled or wept over the glittering
fallacies of this half-bred reasoner, but, at the same time, most
accomplished rhetorician that the world ever saw. But they are perplexed
by sophistry, stupified by prejudice, staggered by authority. In the way
of common sense and practical inquiry, they do well enough; but start a
paradox, and they know not what to make of it. They either turn from it
altogether, or, if interest or fear give them motives to attend to it,
are fascinated by it. They cannot analyze or separate the true from the
_seeming_ good. Mr. Pitt, with his deep-mouthed _common-places_, was
able to follow in the same track, and fill up the cry; but he could not
have given the tone to political feeling, or led on the chase with ‘so
musical a discord, such sweet; thunder.’ Burke strewed the flowers of
his style over the rotten carcase of corruption, and embalmed it in
immortal prose: he contrived, by the force of artful invective and
misapplied epithets, to persuade the people of England that Liberty was
an illiberal, hollow sound; that humanity was a barbarous modern
invention, that prejudices were the test of truth; that reason was a
strumpet, and right a fiction. Every other view of the subject but his
(‘so well the tempter glozed’) seemed to be without attraction,
elegance, or refinement. Politics became poetry in his hands, his
sayings passed like proverbs from mouth to mouth, and his descriptions
and similes were admired and repeated by the fashionable and the fair.
Liberty from thenceforward became a low thing: philosophy was a
spring-nailed, velvet-pawed tyger-cat, with green eyes, watching its
opportunity to dart upon its prey: humanity was a lurking assassin. The
emblems of our cardinal and favourite virtues were overturned: the whole
vocabulary of national watch-words was inverted or displaced. This was a
change indeed in our style of thinking, more alarming than that in our
Public-domain text, read in full here on John Shaqi.
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