The collected works of William Hazlitt, Vol. 12 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 12 (of 12)
Hazlitt, William
English essays -- 19th century
they are the effect of genius and a happiness of nature, then they cost
too little to be much thought of, and we rather wonder at others for
admiring them, than at ourselves for having performed them. ‘Vix ea
nostra voco’—is the motto of spontaneous talent; and in neither case is
conceit the exuberant growth of great original power or of great
attainments.
In one particular, the uneducated man carries it hollow against the man
of thought and refinement: the first can shoot in the _long bow_, which
the last cannot for the life of him. He who has spent the best part of
his time and wasted his best powers in endeavouring to answer the
question—‘What is truth?’—scorns a lie, and every thing making the
smallest approach to one. His mind by habit has become tenacious of,
devoted to the truth. The grossness and vulgarity of falsehood shock the
delicacy of his perceptions, as much as it would shock the finest artist
to be obliged to daub in a signpost, or scrawl a caricature. He cannot
make up his mind to derive any benefit from so pitiful and disgusting a
source. Tell me that a man is a metaphysician, and at the same time that
he is given to shallow and sordid boasting, and I will not believe you.
After striving to raise himself to an equality with truth and nature by
patient investigation and refined distinctions (which few can
make)—whether he succeed or fail, he cannot stoop to acquire a spurious
reputation, or to advance himself or lessen others by paltry artifice
and idle rhodomontade, which are in every one’s power who has never
known the value or undergone the labour of discovering a single truth.
Gross personal and local interests bear the principal sway with the
ignorant or mere man of the world, who considers not what things are in
themselves, but what they are to him: the man of science attaches a
higher importance to, because he finds a more constant pleasure in the
contemplation and pursuit of general and abstracted truths. Philosophy
also teaches self-knowledge; and self-knowledge strikes equally at the
root of any inordinate opinion of ourselves, or wish to impress others
with idle admiration. Mathematicians have been remarked for persons of
strict probity and a conscientious and somewhat literal turn of
mind.[16] But are poets and romance-writers equally scrupulous and
severe judges of themselves, and martyrs to right principle? I cannot
acquit them of the charge of vanity, and a wish to aggrandise themselves
in the eyes of the world, at the expense of a little false complaisance
(what wonder when the world are so prone to admire, and they are so
spoiled by indulgence in self-pleasing fancies?)—but in general they are
too much taken up with their _ideal_ creations, which have also a truth
and keeping of their own, to misrepresent or exaggerate matters of fact,
or to trouble their heads about them. The poet’s waking thoughts are
dreams: the liar has all his wits and senses about him, and thinks only
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