The collected works of William Hazlitt, Vol. 12 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 12 (of 12)
Hazlitt, William
English essays -- 19th century
strong-box, and he who puts it into a dice-box must be allowed to have a
very different idea of the _main-chance_. If by this phrase be
understood a principle of self-preservation, I grant that while we live,
we must not starve, and that _necessity has no law_. Beyond this point,
all seems nearly left to chance or whim; and so far are all the world
from being agreed in their definition of this redoubtable term, that one
half of them may be said to think and act in diametrical opposition to
the other.
Avarice is the miser’s dream, as fame is the poet’s. A calculation of
physical profit or loss is almost as much out of the question in the one
case as in the other. The one has set his mind on gold, the other on
praise, as the _summum bonum_ or object of his bigoted idolatry and
darling contemplation, not for any private and sinister ends. It is the
immediate pursuit, not the remote or reflex consequence that gives wings
to the passion. There is, indeed, a reference to self in either case
that fixes and concentrates it, but not a gross or sordid one. Is not
the desire to accumulate and leave a vast estate behind us equally
romantic with the desire to leave a posthumous name behind us? Is not
the desire of distinction, of something to be known and remembered by,
the paramount consideration? And are not the privations we undergo, the
sacrifices and exertions we make for either object, nearly akin? A child
makes a huge snow-ball to show his skill and perseverance and as
something to wonder at, not that he can swallow it as an ice, or warm
his hands at it, and though the next day’s sun will dissolve it; and the
man accumulates a pile of wealth for the same reason principally, or to
find employment for his time, his imagination, and his will. I deny that
it can be of any other use to him to watch and superintend the returns
of millions, than to watch the returns of the heavenly bodies, or to
calculate their distances, or to contemplate eternity, or infinity, or
the sea, or the dome of St. Peter’s, or any other object that excites
curiosity and interest from its magnitude and importance. Do we not look
at the most barren mountain with thrilling awe and wonder? And is it
strange that we should gaze at a mountain of gold with satisfaction,
when we can besides say, ‘This is ours, with all the power that belongs
to it?’ Every passion, however plodding and prosaic, has its poetical
side to it. A miser is the true alchemist, or, like the magician in his
cell, who overlooks a mighty experiment, who sees dazzling visions, and
who wields the will of others at his nod; but to whom all other hopes
and pleasures are dead, and who is cut off from all connexion with his
kind. He lives in a splendid hallucination, a waking trance, and so far
it is well: but if he thinks he has any other need or use for all this
endless store (any more than to swill the ocean) he deceives himself,
and is no conjuror after all. He goes on, however, mechanically adding
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