in some measure the heartless part of Hatfield's conduct which drew upon him his ruin: for the Cumberland jury honestly declared their unwillingness to hang him for having forged a frank; and both they, and those who refused to aid his escape when first apprehended, were reconciled to this harshness entirely by what they heard of his conduct to their injured young fellow-countrywoman. She, meantime, under the name of _The Beauty of Buttermere_, became an object of interest to all England; melodramas were produced in the London suburban[68] theatres upon her story; and, for many a year afterwards, shoals of tourists crowded to the secluded lake, and the little homely cabaret, which had been the scene of her brief romance; It was fortunate for a person in her distressing situation that her home was not in a town: the few and simple neighbours, who had witnessed her imaginary elevation, having little knowledge of worldly feelings, never for an instant connected with her disappointment any sense of the ludicrous, or spoke of it as a calamity to which her vanity might have co-operated. They treated it as unmixed injury, reflecting shame upon nobody but the wicked perpetrator. Hence, without much trial to her womanly sensibilities, she found herself able to resume her situation in the little inn; and this she continued to hold for many years. In that place, and that capacity, I saw her repeatedly, and shall here say a word upon her personal appearance, because the Lake poets all admired her greatly. Her figure was, in my eyes, good; but I doubt whether most of my readers would have thought it such. She was none of your evanescent, wasp-waisted beauties; on the contrary, she was rather large every way; tallish, and proportionably broad. Her face was fair, and her features feminine; and, unquestionably, she was what all the world would have agreed to call "good-looking." But, except in her arms, which had something of a statuesque beauty, and in her carriage, which expressed a womanly grace, together with some degree of dignity and self-possession, I confess that I looked in vain for any _positive_ qualities of any sort or degree. _Beautiful_, in any emphatic sense, she was not. Everything about her face and bust was negative; simply without offence. Even this, however, was more than could be said at all times; for the expression of her countenance _could_ be disagreeable. This arose out of her situation; connected as it was with defective sensibility and a misdirected pride. Nothing operates so differently upon different minds and different styles of beauty as the inquisitive gaze of strangers, whether in the spirit of respectful admiration or of insolence. Some I have seen upon whose angelic beauty this sort of confusion settled advantageously, and like a softening veil; others, in whom it meets with proud resentment, are sometimes disfigured by it. In Mary of Buttermere it roused mere anger