putting Coleridge to an expense of treble postage at the least. This he complains of bitterly in his "Biographia Literaria," forgetting evidently that the evil was due exclusively to his own defective arrangements. People necessarily sent their subscriptions through such channels as were open to them, or such as were pointed out by Coleridge himself. It is also utterly unworthy of Coleridge to have taxed, as he does, many of his subscribers (or really, for anything that appears, the whole body) with neglecting to pay at all. Probably not one neglected. And some ladies, to my knowledge, scrupulously anxious about transmitting their subscriptions, paid three times over. Managed as the reader will collect from these indications, the work was going down-hill from the first. It never gained any accessions of new subscribers; from what source, then, was the continual dropping off of names to be supplied? The printer became a bankrupt: Coleridge was as much in arrear with his articles as with his lectures at the Royal Institution. _That_ he was from the very first; but now he was disgusted and desponding; and with No. 28 or 29 the work came to a final stop. Some years after, it was re-cast and re-published. But, in fact, this re-cast was altogether and absolutely a new work. The sole contributors to the original work had been, first of all, Wordsworth who gave a very valuable paper on the principles concerned in the composition of Epitaphs; and, secondly, Professor Wilson, who, in conjunction with Mr. (now Dr.) Blair, an early friend,[76] then visiting Mr. W. on Windermere, wrote the letter signed "Mathetes," the reply to which came from Wordsworth. [76] Alexander Blair, LL.D., Professor of English Literature in University College, London, from 1830 to 1836.--M.