The Collector's Handbook to Keramics of the Renaissance and Modern PeriodsChaffers, William
History
The Collector's Handbook to Keramics of the Renaissance and Modern Periods
Chaffers, William
Pottery
ELIJAH MAYER of Hanley was a contemporary of Wedgwood. He was noted for
his cream-coloured ware and brown-line ware, but he produced many other
varieties. A vase of unglazed drab terra-cotta, with festoons, &c., in
relief, coloured (see Fig. 252).
[Illustration: FIG. 252.--VASE.]
He also produced basaltes ware tea services, with animals, &c., in
relief.
PALMER of Hanley was a great pirate of Wedgwood's inventions, and Mrs.
Palmer, who seems to have been the active manager of her husband's
business, engaged persons surreptitiously to obtain Wedgwood and
Bentley's new patterns as soon as they arrived at the London warehouse,
for the purpose of copying them. Palmer had a London partner of the name
of NEALE. They imitated Wedgwood's black Egyptian vases and other
inventions, and eventually his Etruscan painted vases. In 1776 Palmer
failed, and the business was carried on by Neale & Co., who by some
means discovered the secret of the jasper body. They became formidable
rivals of Wedgwood.
[Illustration: FIG. 253.--JARDINIÈRE. _Of blue and white jasper._]
[Illustration: FIG. 254.--VASE.]
J. VOYEZ of Hanley was a clever artist; he was employed by Wedgwood and
afterwards by Neale and Palmer.
FENTON. THOMAS WHIELDON of Fenton established a pottery in 1740; besides
the common household articles, he made fancy marbled ware. Aaron Wood
and Josiah Spode were his apprentices, and Josiah Wedgwood was in
partnership with him until 1759.
TUNSTALL. ENOCH BOOTH of Tunstall, and JOHN WARBURTON of COBRIDGE in the
same county, were extensive potters, and first made cream-coloured
pottery by the use of fluid glaze introduced by Booth.
WILLIAM ADAMS of Tunstall was a favourite pupil of Wedgwood, and while
with him executed some of his finest specimens of jasper ware. He
afterwards went into business on his own account, and carried on an
extensive trade.
[Illustration: FIG. 255.--JUG. _Of blue jasper._]
LANE END. JOHN TURNER of Lane End made a fine description of ware, and
his productions were the most successful imitation of Wedgwood's jasper,
with ornaments in relief, and only second to the latter's in excellence;
he also made a fine white stoneware.
[Illustration: FIG. 256.--SUGAR BASIN. _Of yellow clay, with figures in
relief._]
[Illustration: FIG. 257.--TEAPOT. _With medallion, figures in relief._]
LONGPORT. The Messrs. DAVENPORT of Longport made great improvements in
the manufacture of earthenware; they were celebrated especially for
their stone china. The manufactory was established in 1793, and has been
successfully carried on up to the present day in the same family.
[Illustration: FIG. 258.--CUP, COVER, AND SAUCER.]
[Illustration: FIG. 259.--DISH.]
LANE DELPH (now Middle Fenton). MILES MASON of Lane Delph early in the
last century produced some fine ware. The ironstone china was brought to
great perfection by Charles James Mason, and the forms were of a high
quality, very much resembling porcelain.
Public-domain text, read in full here on John Shaqi.
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