The Collector's Handbook to Keramics of the Renaissance and Modern PeriodsChaffers, William
History
The Collector's Handbook to Keramics of the Renaissance and Modern Periods
Chaffers, William
Pottery
RICHARD CHAFFERS was the principal manufacturer of Liverpool; he served
his apprenticeship with Alderman Shaw, and in 1752 established a bank
for the manufacture of blue and white earthenware and fine porcelain,
which gained him great reputation; they were largely exported to our
American Colonies (now the United States).
His porcelain works were established about the same time as those of
Worcester and Derby, and his productions had a great sale in England.
The Liverpool establishments of PENNINGTON, PHILIP CHRISTIAN and RICHARD
ABBEY were on an extensive scale, but towards the end of the eighteenth
century only one of any importance survived, and that belonged to
Messrs. WORTHINGTON, HUMBLE and HOLLAND, who in 1796 established a large
manufactory on the south bank of the Mersey. As Wedgwood had christened
his settlement Etruria they called theirs Herculaneum. A larger capital
being required, in 1806 an increase of proprietors took place. The first
wares made here were Queen's and blue printed ware. About 1800 the
production of porcelain was commenced, the mark used being
"Herculaneum," or "Herculaneum Pottery." About 1836, when the factory
came into possession of Messrs. Case, Mort & Co., the mark used was a
bird called the liver, which forms the crest of the Borough of
Liverpool.
JACKFIELD, near Thursfield, in Shropshire. There was an old pottery here
about 1760. The ware was of a red clay, with a brilliant black glaze,
sometimes with scrolls and flowers in relief. Tea services are
frequently seen. The jugs were known in the locality as "black
decanters." About 1780 the works were taken by Mr. John Rose, and
subsequently removed to COALPORT, on the opposite side of the Severn,
where the well-known Salopian porcelain was made.
[Illustration: FIG. 265.--TEAPOT.]
Fig. 265. A black glazed teapot inscribed "Richard and Ruth Goodin,
1769."
FULHAM. The first successful imitation of the _grès de Cologne_ was made
by JOHN DWIGHT, an Oxfordshire gentleman, and in course of time it
almost entirely superseded the importation from abroad. This great
potter took out his first patent in 1671, and probably established a
manufactory at Fulham in that year, which was successfully carried on
through two patents of fourteen years each. The Fulham stoneware is of
exceedingly hard and close texture, very compact and sonorous, covered
with a salt glaze, of grey colour, ornamented with a brilliant blue
enamel in bands, leaves, and flowers, having medallions of kings and
queens of England in front, with Latin names and titles, or their
initials only.
Public-domain text, read in full here on John Shaqi.
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