The collector's whatnot : $b a compendium, manual, and syllabus of information and advice on all subjects appertaining to the collection of antiques, both ancient and not so ancientTarkington, Booth
General
The collector's whatnot : $b a compendium, manual, and syllabus of information and advice on all subjects appertaining to the collection of antiques, both ancient and not so ancient
Tarkington, Booth
Antiques -- Humor
THE PORTE-CHAPEAUX OF NOISETTE À CHEVAL
“Rising in the night, troubled over the yearning of the bassines
to be reunited to their original source.”
]
Rising, later in the night, convinced at last that his spirit was
troubled by the yearning of the bassines to be reunited to their
original source, he bore them down and left them in the embrace of the
_porte-chapeaux_.
Sleep coquetted with him, now, a sleep of caprice, through which, more
remotely, James Femms continued to respond to that inanimate yearning,
palliated but still passionately unsatisfied.
IV
A dawn of gusts, with spurts of disingenuous rain, revived James
Femms; dressing, he avoided the candor of his glass, harried now by a
recurrent thought of Sonoff.
He seemed, indeed, to see the old _sonneur_, abroad in this malicious
weather, his battered _parapluie_, its proper service forgotten,
serving him but as a staff, his garments maculate with party-colored
inlays, his glorious hair unhatted.
Distantly, elusively, James Femms sensed, now, a relationship between
his inchoate mental gropings and that whimsy of Mikail Sonoff. He
knew that the old musician, his ears envenomed by the clack of
telephone bells, suffered hideously from headache, but did he, James
Femms demanded of himself, walk bareheaded in the rains to cool that
throbbing capital, or was it, perhaps, because of some sentiment less
practical—because of some profound attachment to a hat, too deeply
loved, which, lost at last, had moved Sonoff to vow, in this respect,
perpetual celibacy? Or was it...?
James Femms, percipient though he was, must have failed to draw that
gossamer inference; it was an inspiration worthy of the _finesse_ of
Jambes des Femmes himself! He saw, now, with a sudden utter certitude,
that Sonoff bared his splendid finial to the elements because a
hat, any hat, must have revived and deepened his yearning for the
_porte-chapeaux_, the _porte-chapeaux_ of _noisette à cheval_ that
symbolized all the grace and splendor of Sonoff’s ravished youth!
[Illustration:
“HE KNEW THE OLD MUSICIAN SUFFERED FROM HEADACHES, BUT DID HE
WALK BAREHEADED IN THE RAIN TO COOL HIS HEAD OR PERHAPS BECAUSE
OF SOME PROFOUND ATTACHMENT TO A HAT HE HAD ONCE OWNED? HAD HE
LOST IT, PERHAPS, AND VOWED NEVER TO HAVE ANOTHER?”
]
And, as if the ghostly emanations of the _porte-chapeaux_ had sought
him out in whatever beggar’s den now harbored his decay, had called
him forth and guided him hereward, Sonoff himself passed before James
Femms’s window, a figure of compassion, a spectacle as insidiously
saddening as that Wagner Palace Car which James Femms had once
beheld degraded to the indignity of a nocturnal, nickel restaurant.
James Femms cried out to him, the sacrifice already made. Sonoff should
have it for his own again, without money and without price!
V
“Headache? And what head would not ache, good little Jambes des Femmes?”
Public-domain text, read in full here on John Shaqi.
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