The large chapel, now called the Latin, and formerly the Divinity Chapel, was added in the next (fourteenth) century, to the north of the northern choir aisle, by building two more bays eastward to the north-east chapel of the thirteenth century just mentioned. This is called “the dormitory,” being the burial-place of several deans and canons; the word is a simple translation of the Greek _cœmeterium_, or sleeping-place, applied to the catacombs of Rome from the second century. Windows were now altered from Norman to Decorated; three of which at the East end of the choir are again restored to their original style. In 1340 the Lady Elizabeth de Montacute gave the convent the present Christ Church meadow in order to maintain a chantry in the Lady Chapel. Her tomb is between that chapel and the other on the north-east, near a prior’s (Robert de Ewelme’s or Alexander de Sutton’s), and near also to that of Sir George Nowers, a companion of the Black Prince. Important alterations began towards the end of the fifteenth century: the choir clerestory was remodelled, the rich vaulting (probably) added, and various side windows altered to the Perpendicular style, which was then extending its rigid rule over England. The great north transept window and the wooden roof of the transepts and tower (that of the nave is later) are early sixteenth-century. But at the end of the first quarter of that century (1524) came Wolsey’s great scheme for Cardinal College, with its good and evil. The latter may be soon disposed of; he certainly spoilt St. Frideswide’s Church by cutting off its three western bays for his great quadrangle. His intended Perpendicular Church on the north side of that quadrangle would hardly have atoned, with all its magnificence, for the destruction of the nave, which (even now, when partially restored) is an affliction to the spectator as he enters the double doors. But from Wolsey’s time the whole society became academic, as he had intended, rather than monastic, and its new architecture is henceforth secular. Unfortunately, it is not quite in that truest collegiate style, or rather scale, which is best represented by the quadrangles of Brasenose and Merton, St. John’s and Wadham Colleges; but its hall, gate-tower, and library have been chief sights of Oxford from their foundation. The principal quadrangles are too extensive and public-looking to wear the old Oxford air of slight seclusion and great comfort, of a life just as monastic as you please and no more. Wolsey’s Hall[253] and Tower,[254] then, the stone kitchen, and the east, south and west sides of the great quadrangle belong to the same sixteenth century group of buildings as Magdalen Tower (1505), the Tower of St. Mary Magdalene Church at the end of Broad Street, and Brasenose Gate.