Two more great names, as of a father and son, so faithfully did the younger reflect the mind and second the purposes of the elder, must of right find mention here;--not due honour, since that would involve the whole history of the Oxford Movement, both earlier and later. It is hoped that the late Dr. Liddon’s Life of Dr. Pusey is so far advanced, or its material is so well ordered and prepared, that it may soon appear--as a monument to two great English Doctors. The elder entered at Christ Church in 1819, and returned as Canon in 1828, after having been Fellow of Oriel College; the younger matriculated at the House in 1846. Dr. Barnes, then Sub-Dean, made Henry Parry Liddon Student in 1846. From thenceforth Pusey had one near him like-minded: not in the obsequious mimicry of imitation which has produced so many pseudo-Newmans, but in true following of one Master, in intelligent apprehension of and devotion to the principles of the Catholic Church of England, and in self-denying holiness of life. Many friendships for life date from Christ Church, but this has excelled them all: and these two rest from their labours. Some brief account of the latest buildings and restorations, on which the fine taste of Dean Liddell has left its mark, seems desirable here. The new buildings, before-mentioned (p. 309), are by Mr. Thomas Deane, son of Sir T. N. Deane. They consist of six staircases, containing forty-three sets of students’ chambers of three rooms each, and ten chaplains’ or tutors’ rooms of four apartments and upwards. The front towards the Meadow is partly masked by the trees of the old Broad Walk (planted by Dean Fell in Feb. 1670) and the other avenue to the river. The roof is continuous on the meadow front, but there are gables towards the quadrangle. The roof-supports rest on corbels, and the beam-ends are free. The whole is 331 feet long and 37 deep. The stone walls are carried through to the roof between the staircases and lined with brickwork. The style is a variety of Italian Gothic, massively built, story upon story, with good pointed arches, but not in any Northern or regularly “arcuated” style. But the ornament is all beautiful flower-work, and by the artist-workmen whom Messrs. Woodward and Dean gathered round them, whom Prof. Ruskin himself educated in the then Working-Man’s College. In as far as that teaching has succeeded, a share of the honour is due to Christ Church, through that son of hers who has done her highest and most honour in the literature of the century, and whose name will for ever be a call to all artists who love honour and their work.[261]