Although representing a high degree of the wood-carvers' art, the other doorway is rather over-ornate in its detail. The reeded ovolo is again prominent, and the fascia of the architrave of the arch bears a familiar decorative motive consisting of groups of five flutes in alternation with a conventionalized flower. The dentil course of the pedimental cornice takes the form of a peculiar reeded H pattern which is repeated in much finer scale on the edge of the corona, the abacus of the capitals and its continuation across the lintel of the door. Least pleasing of all is the fluting of the frieze portion of the entablature sections with three sets of drillings suggestive of festoons. Another admirable type of doorway, of which there are many examples in Philadelphia, frames the high, round-headed arch of the doorway with tall, slender engaged columns supporting a massive entablature above the semicircular fanlight over the door. Almost without exception the entablature is some variation of the Ionic order with denticulated bed-mold in the cornice, plain flat frieze and molded architrave, the latter sometimes enriched by incised decorative bands. The columns are Doric and smooth. They stand in front of more widely spaced pilasters, which are virtually a broadening of the casings of the door frame, and which support a second entablature back of the first and somewhat wider. The two combined form a doorhead with projection almost equal to a hood, but the effect is far more stately. Such a doorway in its simplest form, with columns tapering considerably toward the top, in accordance with a prevalent local custom of the time, is to be seen on the Powel house, Number 244 South Third Street. The sash divisions of the fanlight are unique, suggesting both Gothic tracery and the lotus flower. The single, high eight-panel door recalls many having a similar arrangement of molded and raised panels, but differs from most of them in that the lock rail is about double the width of the two rails above. Narrower, with more slender columns, and thus seemingly higher, is the doorway of the Wharton house, Number 336 Spruce Street. While the entablature is generally similar, the moldings adhere less closely to the classic order, and the same is true of the exceptionally slender columns. An enriched ovolo suggesting a quarter section of a cylinder and two disks in alternation lends added refinement to the paneled jambs and the architrave casing of the arch with its hand-carved keystone. The fanlight is of simple but pleasing pattern, and the eight-panel door is of characteristic design. At Number 301 South Seventh Street the doorway itself strongly resembles that of the Powel house, except that it is higher, narrower and rather lighter in scale. However, the wing flights of stone steps on the sidewalk leading to a broad landing before the door and the handsome wrought-iron rail lend individuality and rare charm to this notable example of a familiar type.