Eloquently typical of the broad hall running entirely through the house from front to back, with the staircase located in a smaller side hall, is the arrangement at Mount Pleasant to which reference has already been made in a previous chapter. It is one which affords delightful vistas through the outside doorways at each end and an ample open space for dancing on occasion. Handsome doorways along the sides open into the principal rooms and are notable for their beautifully molded architrave casings and nicely worked pedimental doorheads. In fact, the woodwork here, as well as that throughout the house, is heavier and richer in elaboration of detail than usual in Georgian houses of the North, the classic details of the fluted pilasters and heavy, intricately carved complete entablature being pure mutulary Doric and more ornate than the Ionic detail of Whitby Hall. However, this was quite in keeping with the larger and more pretentious character of the former. The entablature is a positive triumph in cornice, frieze and architrave. The moldings are of good design and carefully worked; the guttae of the mutules, the triglyphs with paneled metopes between, and the guttae of the architrave all closely follow the classic order and exemplify the finest hand tooling of the period. So similar as a whole yet so different in detail are the staircase hall of Mount Pleasant and the staircase end of the main hall at Whitby Hall that they invite comparison. In general arrangement they are much the same, except that the staircases are reversed, left for right. As at Whitby Hall a flat arch frames the staircase vista, a great beam bearing the entablature surrounds the hall at the ceiling, spanning the entrance to the staircase hall and being supported by square, fluted columns. In this smaller hall a simple, though only a molded cornice in harmony with that of the main hall suffices. Unlike the plain dado of the main hall, however, elaborated only by a molded surbase and skirting, a handsome paneled wainscot runs around the staircase hall and up the stairs. The spacing and workmanship displayed in this heavily beveled and molded paneling could hardly be better. At the foot of the flight, on the landing and at the head of the stairs, the ramped surbase with its dark wood cap, corresponding to the handrail opposite, is supported by slender fluted pilasters which materially enrich the effect. The space under the lower run of the staircase is entirely paneled up with a small diagonal topped door opening into the little closet thus afforded. The scroll-pattern stair ends, balustrade and spiral newel treatment are much the same as at Whitby Hall. Although similar in pattern the balusters are more slender and placed three instead of two on each stair.