“This class of individual is to be found in great abundance in every
clipper ship community. He is easily known, more easily detected. He is
a man of vast importance when first he steps aboard; makes no advances;
keeps aloof; is evidently selecting, with great caution, those with
whom he dare associate without compromising his connections. After
a little time, however, he—with a condescending grace, which cannot
be too highly extolled—relaxes slightly his vigorous demeanour, and
smiles upon the _very_ young men of known good family (of course),
occasionally honours them with his arm and promenades the deck for half
an hour—is very careful during the peregrination to recount his latest
adventures at home—the parting dinners Captain Allalie and Colonel
Gammon would insist on giving him; the ballet dancer, who forsook an
Earl for his advances and embraces; the prima donna who would insist on
rehearsing her role before him as she entertained so high an opinion
of his musical criticism and abilities. The borough he might have gone
in for at the last election, with the Duke of Sarum’s interest, but
that his _own_ family objected on the score of difference in political
opinions, and the positive certainty that in a few years his great
talents and eloquence must command the most independent seat in the
House.
“He is of an average height and features, with the exception of a
protruding chin, which gives to the mouth a horrible grin; an eyeglass
of course; luxuriant hair and whiskers, redolent of macassar. He apes
the gait of a military man; wears a frock coat terribly inclined to
the third and fourth letters of the alphabet; a waistcoat of the most
approved and fashionable cut; trowsers of the loudest plaid style
about two to the pair, with very ragged bottoms and straps, the latter
article proving a very useful adjunct when the supply of socks falls
short; a shirt with miniature cartoons after Raphael or a correct
likeness of the last murderer and the last ballet dancer printed upon
it; a necktie of the _striking stripe_ pattern, to make him smart. His
whole appearance is indicative of a worn-out Stultz. His hands are
covered with a variety of rings, from the enamelled and delicately
wrought diamond to the massive and substantial signet bearing his
crest. An immense watch chain (bearing a striking resemblance to the
ship’s cable) with an abundance of charms attached completes the _tout
ensemble_ of the outer man. His wardrobe is somewhat limited—but this
he accounts for by—‘D—n those agents, the rascals have put my trunks
marked “wanted on the voyage” in the hold, and left out those “not
wanted,” isn’t it annoying? Could you lend me a few shirts until
they’re got at?’ He is decidedly great at the borrowing dodge. Of
course his cigars, tobacco and all the little comforts for the journey
are in his trunks in the hold. But the way he solicits a loan of the
required articles is irresistible. His natural grace (or impudence, we
Public-domain text, read in full here on John Shaqi.
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