New York (N.Y.) -- Description and travel; New York (N.Y.) -- Social conditions
Then came the night, that glorious time of affection and good humor,
when every Italian of this neighborhood is at his best. The moon was on
high, a new moon, shining with all the thin delicacy of a pearl. Soft
airs were blowing, clear voices singing; from every window streamed
lamplight and laughter. It seemed as if all the beauty of spring had
been crowded into a single hour.
On this occasion the fair Maria was lounging in front of her own
doorstep when the lovesick Antonio came along. He was dressed in his
best. A new red handkerchief was fastened about his neck, a soft crush
hat set jauntily upon his forehead. Upon his hand was a ring, in
the handkerchief a bright pin, and he was in his most cavalier mood.
Together they talked, and as they observed the beauty of the night they
decided to stroll to the little park a block away.
Somewhere in this thoroughfare, however, stood the jealous Vincenzo
brooding. It was evident that he must have been concealed somewhere,
watching, for when the two strolled toward the corner he was seen
to appear and follow. At the corner, where the evening crowd was
the thickest and the merriest--summer pleasure at its height, as it
were--he suddenly confronted Antonio and drew his revolver.
“Ha!”
The astonished Antonio had no time to defend himself. He drew his
knife, of course, but before he could act Vincenzo had fired a bullet
into his breast and sent him reeling on his last journey.
Maria screamed. The crowd gathered. Friends of Antonio and Vincenzo
drew knives and revolvers, and for a few moments it looked as if a feud
were on. Then came the police, and with them the prosaic ambulance and
patrol wagon--and another tragedy was recorded. Antonio was dead and
Vincenzo severely cut and bruised.
And so it goes. They love desperately. They quarrel dramatically,
and in the end they often fight and die, as we have seen. The brief,
practical accounts of the newspapers give no least suggestion of the
color, the emotion, the sorrow, the rage--in a way, the dramatic
beauty--that attends them, nearly all.
CHRISTMAS IN THE TENEMENTS
They are infatuated with the rush and roar of a great metropolis. They
are fascinated by the illusion of pleasure. Broadway, Fifth Avenue, the
mansions, the lights, the beauty. A fever of living is in their blood.
An unnatural hunger and thirst for excitement is burning them up. For
this they labor. For this they endure a hard, unnatural existence. For
this they crowd themselves in stifling, inhuman quarters, and for this
they die.
Public-domain text, read in full here on John Shaqi.
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