New York (N.Y.) -- Description and travel; New York (N.Y.) -- Social conditions
“We are so over-stocked with songs now, Madam, that I don’t believe
there’s much use in our hearing it. Could you come in next Friday?
We’ll have more leisure then and can give you more attention.”
The lady looks the failure she has scored, but retreats, leaving the
ground clear for the chance arrival of the real author, the individual
whose position is attested by one hit or mayhap many. His due is that
deference which all publishers, if not the public, feel called upon
to render, even if at the time he may have no reigning success.
[Illustration: Whence the Song]
“Hello, Frank, how are you? What’s new?”
The author, cane in hand, may know of nothing in particular.
“Sit down. How are things with you, anyhow?”
“Oh, so-so.”
“That new song of yours will be out Friday. We have a rush order on it.”
“Is that so?”
“Yes, and I’ve got good news for you. Windom is going to sing it next
year with the minstrels. He was in here the other day and thought it
was great.”
“Well, that’s good.”
“That song’s going to go, all right. You haven’t got any others, have
you?”
“No, but I’ve got a tune. Would you mind having one of the boys take it
down for me?”
“Surest thing you know. Here, Harry! Call Hatcher.”
Now comes the pianist and arranger, and a hearing and jotting down of
the new melody in a private room. The favored author may have piano and
pianist for an indefinite period any time. Lunch with the publishers
awaits him if he remains until noon. His song, when ready, is heard
with attention. The details which make for its publication are rushed.
His royalties are paid with that rare smile which accompanies the
payment of anything to one who earns money for another. He is to be
petted, conciliated, handled with gloves.
At his heels, perhaps, another author, equally successful, maybe, but
almost intolerable because of certain marked eccentricities of life and
clothing. He is a negro, small, slangy, strong in his cups, but able to
write a good song, occasionally a truly pathetic ballad.
“Say, where’s that gem o’ mine?”
“What?”
“That effusion.”
“What are you talking about?”
“That audience-killer--that there thing that’s goin’ to sweep the
country like wildfire--that there song.”
Much laughter and apology.
“It will be here Friday, Gussie.”
“Thought it was to be here last Monday?”
“So it was, but the printers didn’t get it done. You know how those
things are, Gussie.”
“I know. Gimme twenty-five dollars.”
“Sure. But what are you going to do with it?”
“Never you mind. Gimme twenty-five bones. To-morrow’s rent day up my
way.”
Public-domain text, read in full here on John Shaqi.
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