In the afternoon he went over to the North Side, and along a modest
street he walked, looking at the houses as if hunting for a number. He
went up a short flight of wooden steps and rang the bell of the second
flat. The hall door was open, and a moment later he saw Miss Drury at
the head of the stairs.
"Why, is that you, Mr. Witherspoon?"
"Yes; may I come up?"
"What a question! Of course you may, especially as I am as lonesome
as I can be."
He was shown into a neat sitting-room, where a canary bird "fluttered"
his hanging cage up and down. A rose was pinned on one of the white
curtains. The room was warmed by a stove, and through the isinglass
the playful flame could be seen. She brought a "tidied" rocking-chair,
and smiling in her welcome, said that as this was his first visit, she
must make him comfortable. "Don't you see," she added, "that you
constantly make me forget that I am working for you?"
"And don't you know," he answered, "that you are most pleasing when
you do forget it? But I am to infer that you wouldn't give me the
rocking-chair if you didn't forget that you were working for me?"
"You must infer nothing," she said. "But am I most pleasing when I
forget? Then I will not remember again. It is a woman's duty to be
pleasing; and her advantage, too, for when she ceases to please she
loses many of her privileges."
DeGolyer went to the window, took the rose, brought it to her and
said: "Put this in your hair."
She looked up as she took the rose; their eyes met and for a moment
they lived in the promise of a delirious bliss. She looked down as she
was putting the flower in her hair. He spoke an idle word that meant
more than old Wisdom's speech, and she answered with a laugh that was
nearly a sob. He thirsted to take her in his arms, to tell her of his
love, but his time was not yet come--he was still Henry Witherspoon.
"How have you spent the day?" she asked.
"I'm thinking of to-morrow."
"And will to-morrow be so important?"
"Yes, the most important day of my life."
"Oh, tell me about it."
"I will to-morrow."
"Well, I suppose I shall have to wait, but I wish you would tell me
just a little bit of it."
"To tell a little would be to tell all. The story is not yet
complete."
"Oh, is it a story? And is it one that you are writing?"
"No, one that I am living. It is a strange tale."
"I know it must be interesting, but what has to-morrow to do with it?"
"It will be completed then."
"I don't understand you; I never did. I've often thought you the
saddest man I have ever seen, and I've wondered why. You ought not to
be sad--fortune is surely a friend of yours. You live in a grand
house, and your father is a power in this great community. All the
advantages of this life are within your reach; and if you can find
cause to be sad, what must be the condition of people who have to
struggle in order to live!"
"The summing-up of what you say means that I ought to be thankful."
Public-domain text, read in full here on John Shaqi.
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