America -- History -- Poetry; Columbus, Christopher, 1451-1506 -- Poetry; United States -- History -- Revolution, 1775-1783 -- Poetry
_Like Memphian hieroglyphs, to stretch the span
Of memory frail in momentary man._
Book II. Line 287.
We may reckon three stages of improvement in the graphic art, or the art of
communicating our thoughts to absent persons and to posterity by visible
signs. First, The invention of _painting ideas,_ or representing
actions, dates and other circumstances of historical fact, by the images of
material things, drawn usually on a flat surface, or sometimes carved or
moulded in a more solid form. This was the state at which the art had
arrived in Egypt before the introduction of letters, and in Mexico before
the arrival of the Spaniards. The Greeks in Egypt called it hieroglyphic.
Second, The invention of _painting sounds,_ which we do by the use
of letters, or the alphabet, and which we call writing. This was a vast
improvement; as it simplified in a wonderful degree the communication of
thought. For ideas are infinite in number and variety; while the simple
sounds we use to convey them to the ear are few, distinct and easy to be
understood. It would indeed be impossible to express all our ideas by
distinct and visible images. And even if the writer were able to do this,
not many readers could be made to understand him; since it would be
necessary that every new idea should have a new image invented and agreed
upon between the writer and the reader, before it could be used. Which
preliminary could not be settled without the writer should see and converse
with the reader. And he might as well, in this case, convey his ideas by
oral speech; so that his writing could be of little use beyond a certain
routine of established signs.
The number of simple sounds in human language, used in discourse, is not
above eighteen or twenty; and these are so varied in the succession in
which they are uttered, as to express an inconceivable and endless variety
of thought and sentiment. Then, by the help of an alphabet of about
twenty-six letters or visible signs, these sounds are translated from the
ear to the eye; and we are able, by thus painting the sound, to arrest its
fleeting nature, render it permanent, and talk with distant nations and
future ages, without any previous convention whatever, even supposing them
to be ignorant of the language in which we write. This is the present state
of the art, as commonly practised in all the countries where an alphabet
is used. It is called the art of writing; and to understand it is called
reading.
Public-domain text, read in full here on John Shaqi.
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