London (England) -- Fiction; Man-woman relationships -- Fiction; Married people -- Fiction
And in her joy and tenderness, in their engagement and in the whole
adventure, this going out with him and all the rare, shy contacts it
occasioned, instalments of delight, windfalls of bliss that Heaven sent
her to be going on with, in the very secrecy and mystery of it all,
Winny felt that disturbing yet delicious sense of something iniquitous,
something perilous, something, at any rate, unlawful. It was the same
sense that she had known and enjoyed in the days when she went into the
scullery at Granville to make beefsteak pies for Ranny; the same sense,
but far more exquisite, far more exciting.
She did not connect it in any way with Violet. Violet had ceased to
exist for them. Violet had of her own act annihilated herself. But Winny
knew that until Ranny was divorced from his wife the law continued to
regard him as married to her. So that, while firm land held and would
always hold her, she was aware that he and she were walking on the
brink, and that by the rule of the road Ranny went, so to speak, upon
the outer edge where it was far more dangerous. She knew that he had
more than once looked over; and she knew (though nothing would induce
_her_ to look) that the gulf was there, not far from her adventurous
feet.
Still, it was wonderful how all these years they had kept their heads.
So she said: "Hadn't we better be going? I think we ought to."
She had unlaced her hand from his, and had turned in her seat to face
him with her decision.
"Not yet."
"Well--soon. It's getting rather chilly, don't you think?"
At that he jumped up. "Are you cold, Winky?"
"My feet are, sitting."
"I forgot your little feet."
He raised her.
"It isn't late," he said. "We can walk about a bit."
They walked about, for he was very restless again.
"Wherever does that music come from?" Winny said.
Sounds came to them of violins and 'cellos, of trombones and clarinets,
playing a gay measure, a dance, insistent, luring, irresistible.
They followed it.
In a vast room fronted by a latticed screen, all green and white, roofed
by a green and white awning, and having a pattern of latticework, green
and white, upon its inner walls, on a vast polished floor was a crowd of
couples dancing to the music they had heard. It came loud through the
open lattices, the insistent, luring, irresistible measure, violent now
in solicitation, in appeal; and over it and under went the trailing,
shuffling slur of the feet of the dancers and the delicate swish of
women's gowns as they whirled.
Public-domain text, read in full here on John Shaqi.
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