The company had begun to play an act of a very lachrymose drama
entitled The Daughter of Fabricius. Topolski appeared in the role of
Fabricius and Majkowska impersonated his daughter. They played
entirely well although Topolski was still so drunk that he didn't
know where he was, but he nevertheless acted so perfectly that no
one was aware of it. Only Stanislawski stood behind the scenes and
laughed aloud at his automatic motions and the blank expression of
his eyes. Majkowska was upholding Topolski every now and then, for
he would have fallen on the stage.
"Mirowska! come here and see how they are acting!" called
Stanislawski to the old actress who was to-day apathetically
disposed, his eyes glowing with feverish animosity.
"That is my role! I ought to be playing it. Look what he has made of
it, the drunken beast!" he hissed between his tightly set teeth. And
when, applause, that was in spite of everything, merited, broke out,
Stanislawski became pale with rage and grasped at one of the scenes
to keep from falling over, so great an envy was choking him.
"Cattle! Cattle!" he whispered hoarsely, shaking his fist
threateningly at the public.
Then he went to look for the stage-director but being unable to find
him, came back. He continued to walk about excited and angry,
scarcely able to stand on his feet.
"My daughter! . . . My beloved child! so you do not spurn your aged
father? . . . You press to your pure heart your criminal
father? . . . You do not flee from his tears and kisses?" came
floating from the stage Topolski's ardent whisper and struck the old
actor so forcibly that he stood still, thrilled by the acting,
forgot entirely about his envy, repeated those words in a whisper
and put into those quiet accents of fatherly love so much feeling
and tears, so much blood and inspiration and appeared at the same
time so funny standing in the dim light behind the scenes with hands
pathetically outstretched into empty space, with head bent forward
and eyes fixed upon the rope of the curtain, that Wicek, who saw
him, ran to the dressing-room crying: "Gentlemen, come and see
Stanislawski showing something new behind the scenes."
They all rushed in a crowd to view the sight and, seeing him still
standing in the same pathetic pose, burst out laughing in unison.
"Ha! ha! a South American monkey!"
"That is an African mammoth, that has lived for a hundred years,
devoured human beings, devoured paper, devoured roles, devoured fame
until it died from indigestion," cried Wawrzecki, imitating the
voice and speech of a provincial showman.
Stanislawski suddenly roused himself, glanced in back of him and
encountering the derisive gazes that were centered on him, trembled,
and sadly dropped his head upon his breast.
Public-domain text, read in full here on John Shaqi.
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