The Comedies of Terence: Literally Translated into English Prose, with NotesTerence
General
The Comedies of Terence: Literally Translated into English Prose, with Notes
Terence
Latin drama (Comedy) -- Translations into English; Terence -- Translations into English
Performed at the Megalensian Games; Sextus Julius Csesar and Cneius
Cornelius Dolabella being Curule Ædiles. The whole was not then acted.
Flaccus, the freedman of Claudius, composed the music to a pair of
flutes. It was composed wholly from the Greek of Menander.[11] It was
performed the first time without a Prologue. Represented a second
time; Cneius Octavius and T. Manlius being Consuls.[12] It was then
brought out in honor of L. Æmilius Paulus, at his Funeral Games, and
was not approved of. It was repeated a third time; Q. Fulvius and L.
Marcius being Curule Ædiles. L. Ambivius Turpio performed it. It was
then approved of.[13]
HECYRA; THE MOTHER-IN-LAW.
THE SUMMARY OF C. SULPITIUS APOLLINARIS.
Pamphilus has married Philumena, to whom, when a virgin, he formerly,
not knowing who she was, offered violence; and whose ring which he
took off by force, he gave to his mistress, Bacchis, a Courtesan.
Afterward he sets out for Imbros, not having touched his bride. Having
become pregnant, her mother brings her over to her own house, as
though sick, that her mother-in-law may not know it. Pamphilus
returns; detects her being delivered; conceals it; but determines not
to take back his wife. His father imputes {this} to his passion for
Bacchis. While Bacchis is exculpating herself, Myrrhina, the mother of
the injured girl, by chance recognizes the ring. Pamphilus takes back
his wife, together with his son.
THE FIRST PROLOGUE.
Hecyra[14] is the name of this Play; when it was represented for the
first time, an unusual disaster and calamity[15] interrupted it, so
that it could not be witnessed {throughout} or estimated; so much had
the populace, carried away with admiration, devoted their attention to
some rope-dancing. It is now offered as though entirely a new Play;
and he who wrote it did not wish to bring it forward {then} a second
time, on purpose that he might be able again to sell it.[16] Other
{Plays} of his[17] you have seen represented; I beg you now to give
your attention to this.
THE SECOND PROLOGUE.[18]
Public-domain text, read in full here on John Shaqi.
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