[Footnote 109: _Hercules served Omphale_)--Ver. 1026. He alludes to the story of Omphale, Queen of Lydia, and Hercules. Being violently in love with her, the hero laid aside his club and boar’s skin, and in the habit of a woman plied the spindle and distaff with her maids. See a curious story of Omphale, Hercules, and Faunus, in the Fasti of Ovid, B. ii. l. 305. As to the reappearance of Thraso here, Colman has the following remarks: “Thraso, says Donatus, is brought back again in order to be admitted to some share in the good graces of Thais, that he may not be made unhappy at the end of the Play; but surely it is an essential part of the poetical justice of Comedy to expose coxcombs to ridicule and to punish them, though without any shocking severity, for their follies.”] [Footnote 110: _With a slipper_)--Ver. 1027. He doubtless alludes to the treatment of Hercules by Omphale; and, according to Lucian, there was a story that Omphale used to beat him with her slipper or sandal. On that article of dress, see the Notes to the Trinummus of Plautus, l. 252.] [Footnote 111: _To the patronage of my father_)--Ver. 1038. It was the custom at Athens for strangers, such as Thais was, to put themselves under the protection (in clientelam) of some wealthy citizen, who, as their patron, was bound to protect them against injury. An exactly parallel case to the present is found in the Miles Gloriosus of Plautus, l. 799, where the wealthy Periplecomenus says, “Habeo, eccillam, meam clientam, meretricem adolescentulam.” “Why, look, I have one, a dependent of mine, a courtesan, a very young woman.”] [Footnote 112: _Been rolling that stone_)--Ver. 1084. Donatus thinks that he alludes to the story of Sisyphus, who, in the Infernal Regions, was condemned eternally to roll a stone up a hill, which, on arriving at the summit, immediately fell to the bottom.] [Footnote 113: _Make him over to you_)--Ver. 1086. “Vobis propino.” The word “propino” was properly applied to the act of tasting a cup of wine, and then handing it to another; he means that he has had his taste of the Captain, and is now ready to hand him over to them.] [Footnote 114: _He quite deserves it_)--Ver. 1087. Cooke has the following appropriate remark: “I can not think that this Play, excellent as it is in almost all other respects, concludes consistently with the manners of gentlemen; there is a meanness in Phædria and Chærea consenting to take Thraso into their society, with a view of fleecing him, which the Poet should have avoided.”] * * * * * * * * * HEAUTONTIMORUMENOS; THE SELF-TORMENTOR. DRAMATIS PERSONÆ. CHREMES,[1] an old gentleman, living in the country. MENEDEMUS,[2] an old gentleman, his neighbor. CLINIA,[3] son of Menedemus. CLITIPHO,[4] son of Chremes. DROMO,[5] son of Clinia. SYRUS,[6] servant of Clitipho.