RICHARD, on coming to the throne, rushed into Westminster Hall, and took his seat on a sort of marble slab or mantel-piece, between the great Lord Howard and the Duke of Suffolk. The precious trio looked like a set of chimney ornaments, of which Richard formed the centre. He declared that he commenced his reign in that place, because it had been once a judgment-seat, and he was anxious to administer justice to his people. Ten days after, on the 6th of July, he was crowned in Westminster Abbey, and to prevent any murmurs at his usurpation, he was lavish of gifts, promotion and bribery. The Duke of Norfolk, the celebrated jockey mentioned by Shakspeare, who had put Richard in training for the throne, became Earl Marshal, and his son was created Earl of Surrey, in honour, perhaps, of the surreptitious manner in which the crown had been obtained for his master Richard. The Archbishop of York and the Bishop of Ely were set at liberty, "which caused them to dance with joy," according to one of the chroniclers, though we cannot imagine a pair of prelates indulging in Terpsichorean diversions on their release from prison. In the course of the summer, Richard made a royal progress, and was enthusiastically received, though it is believed that much of the enthusiasm was got up by frequent rehearsals with a set of supernumeraries, who were sent on before from town to town, to give a reception to the new sovereign. If Richard was expected to arrive anywhere at two, the populace would be called at one, to run through--in rehearsal--the cheers and gestures of satisfaction that were required to give brilliance to the usurper's entry. When he arrived at York, a wish was expressed by the inhabitants to see a coronation; and though the ceremony had already been performed in London, it was announced that the spectacle would be repeated, "by particular desire of several families of distinction."