Second Advent -- Fiction; Villages -- England -- Fiction; World War, 1914-1918 -- England -- Fiction
THE next morning, when John Smith called as usual at Hart’s Ghyll with
his bunch of flowers, he was allowed once more to see his friend. The
stricken man received him in the library with the most affectionate
intimacy.
“My dear, dear fellow,” he said, “how good it is to see you. You bring
the light of the sun to this room whenever you enter it.”
The visitor took Brandon’s hand with the caressing touch of a woman.
“Dear friend,” he said, “I always pray that the light may accompany me
wherever I go.”
The simplicity of the man, which it would have been easy to misread,
had now, as always, a strange effect upon Brandon. And yet he was
heart-sore and miserable. The weight of sorrow now upon him seemed to
transcend all his other sufferings. A cruel sense of the futility of
his terrible sacrifice had overtaken him. What proof was there that
it had not been in vain? After all, what hope could there be for the
future of men; what was there to expect from a purblind, material
world? He was now in the throes of a cruel reaction. Somehow his talk
with the vicar had struck at his faith in his own kind.
He took no comfort from the thought that Mr. Perry-Hennington was a
profoundly stupid man. Turning his mind back, he saw the parson of
Penfold as the spiritual guide of the race of average men, of a race
which allowed itself to be governed by the daily newspaper, which in
one feverish hour threw away the liberties it had cost its father
hundreds of years to win. Prussia was being met with Prussia, Baal with
the image of Baal.
Throughout a wakeful night, that had been the thought in Brandon’s
heart. Behind all the swelling heroics and the turgid phrases of
organized opinion, was this Frankenstein monster. The world was moving
in a vicious circle. The public press had somehow managed to recreate
what it had set out to destroy. The question for Brandon now was, had
he been the victim of a chimera? In the course of a long night of
bitterness, the thought had taken root in him that all the blood and
tears humanity was shedding would merely fix the shackles more cruelly
on generations yet unborn.
This morning Brandon saw no hope for the ill-starred race of men. Hour
by hour his fever-tinged thoughts had flown to one for whom he had
conceived an emotion of the highest and purest friendship, to one whom
his fellows were seeking a means to destroy.
“I have been wondering,” said Brandon, “whether you will consent to
have your poem published? I know you are shy of print, but this is a
rare jewel, the heritage of the whole world.”
“Don’t let us talk of it just now.” There was a shadow upon the
eloquent face. “I have need of guidance. My poem, such as it is, is but
one aspect of a great matter. I pray that I may find a more universal
one.”
Brandon dissembled his surprise, but he could not bridle his curiosity.
“Your poem _is_ a great matter,” he said. “To me it is wonderful. You
call it ‘The Door.’ Why not let all the world pass through?”
Public-domain text, read in full here on John Shaqi.
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