Great Britain -- History -- Medieval period, 1066-1485
But if the thirteenth century monastery possessed necessarily no great
Reading-Room, the Scriptorium, or Writing-Room, was almost an essential
adjunct. In the absence of the printing-press, the demand for skilled
writers and copyists throughout the country was enormous. In the
Scriptorium all the business, now transacted by half a dozen agents and
their clerks, was carried on. The land of the country in those days was
subdivided to an extent that it is now almost impossible for us to
realize, and the tenure under which the small patches of arable or
meadow-land were held was sometimes very complex and intricate. The
small patches were perpetually changing hands, being bought or sold,
settled upon trustees, or let out for a term of years, and every
transaction would be registered in the books of the monastery
interested, while the number of conveyances, leases, and enfeofments
made out in the course of the year was incalculable. In such an abbey
as that of Bury St. Edmunds a small army of writers must have been
constantly employed in the business department of the Scriptorium
alone. Obviously it became a great writing-school, where the copyists
consciously or unconsciously wrote according to the prevailing fashion
of the place; and there have been, and there are, experts who could
tell you whether this or that document was or was not written in this
or that monastic Scriptorium. Paper was very little used, and the
vellum and parchment required constituted a heavy item of expense. Add
to this the production of school-books and all materials used for
carrying on the education work, the constant replacement of _church_
service books which the perpetual thumbing and fingering would subject
to immense wear and tear, the great demand for music which, however
simple, required to be written out large and conspicuous in order to be
read with ease, and you get a rather serious list of the charges upon
the stationery department of a great abbey.
Public-domain text, read in full here on John Shaqi.
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