Didactic fiction; Political fiction; Social problems -- Fiction
Helen wrote to him from time to time, filling her letters with details
about the boys. She suggested that they should return to the city to
visit their grandmother during the Christmas holidays. She never
referred to the situation between them, apparently considering that he
had it in his power to end it when he would. He was minded often when
he received these letters to write her sternly in reply, setting forth
the wrong which in her obstinacy she was doing to herself and their
children. He went over these imaginary letters in his idle moments,
working out their phrases with great care; they had a fine, dignified
ring to them, the tolerant and condoning note. But when he tried to
write he did not get very far with them. Sometimes he thought of
writing simply, "I love you very much, Nell; I want you back; can you
not forgive me?" But he knew well that he could not merely say, "I
have done wrong, forgive me," if he would affect that new will in his
wife, so gently stern. Even if he could bring himself to confess his
dishonesty, that would not suffice. There was another and deeper gulf
between them, one that he could not clearly fathom. "From the very
beginning we have lived wrongly," she had cried that last time. "We
can never go on again in the same way." ... No, he was not ready to
accept her judgment of him.
Thus the winter wore away, forlornly, and early in April the first hint
of spring came into the dirty city. On a Sunday afternoon the
architect went to call on his old friend, Mrs. Phillips, who was one of
the few persons who gave him any comfort these days. He found her
cutting the leaves of an art journal.
"There's an article here about that German--the one we are all trying
to help, you know," she said, giving him a hand. "Yes, I have taken to
patronizing the arts; it's pleasanter than charities. I have graduated
from philanthropy. And you have to do something nowadays, if you want
to keep up."
She spoke with her usual bluntness, and then added a little cant in a
conventional tone:--
"And I think those of us who have the time and the position should do
something to help these poor artists who are struggling here in this
commercial city. People won't buy their pictures.... But what is the
matter with you? You look as if you had come to the end of everything.
I suppose it's the old story. That cold Puritan wife of yours has gone
for good. It's no use pretending to me; I knew from the start how it
would be."
"But I don't know whether she has gone for good," he muttered.
"You might as well make up your mind to it. Two people like you two
can't get along together."
"It isn't that," he protested. "We have been very happy until lately."
Public-domain text, read in full here on John Shaqi.
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