Didactic fiction; Political fiction; Social problems -- Fiction
As he spoke there was a shrill whistle from the fire marshal, and then
a wrenching, crashing, plunging noise, like the sound of an avalanche.
The upper part of the east wall had gone, toppling outward into the
alley like the side of a fragile box. In another moment followed a
lesser crash. The upper floors had collapsed, slipping down into the
inner gulf of the building. There was a time of silence and awful
quiet; but almost immediately the blue flames, shot with orange, leaped
upward once more. From the precipitous wall above, along the line of
the fire-escape, came horrid human cries, and in the blinding smoke and
flame appeared a dozen figures clinging here and there to the window
frames like insects, as if the heat had driven them outward.
Cook swayed against the architect like a man with nausea.
"They're done for now, sure, all that ain't out. And I guess there
ain't many out. It just slumped, just slumped," he repeated with a
nervous quiver of the mouth. Suddenly he turned his pale face to the
architect and glared into his eyes.
"Damn you, you son of a bitch! Damn you--you--" he stammered, shaking
his fist at him. "There wasn't any steel in the bloody box! It was
rotten cheese. That's you, you, you!" He turned and ran toward the
burning mass, distracted, shouting as he ran: "Rotten cheese! Just
rotten cheese!"
But the architect still stood there in the alley, rooted in horror,
stupefied. High above him, in a window of the south wall, which was
still untouched by the fire, he saw a woman crouching on the narrow
ledge of the brick sill. She clung with one hand to an awning rope and
put the other before her eyes. He shouted something to her, but he
could not hear the sound of his own voice. She swayed back and forth,
and then as a swirl of flame shot up in the room behind her, she fell
forward into the abyss of the night.... A boy's face appeared at one
of the lower windows. He was trying to break the pane of heavy glass.
Finally he smashed a hole with his fist and stood there, dazed, staring
down into the alley; then he dropped backward into the room, and a jet
of smoke poured from the vent he had made.
In front of the hotel there were fresh shouts; they were using the
nets, now. The architect covered his face with his hands, and moaning
to himself began to run, to flee from the horrible spot. But a cry
arrested him, a wail of multitudinous voices, which rose above the
throb of the engines, the crackle of the fire, all the tumult of the
catastrophe. He looked up once more to the fire-eaten ruin. The lofty
south wall, hitherto intact, had begun to waver along the east edge.
It tottered, hung, then slid backward, shaking off the figures on the
fire-escape as if they had been frozen flies.... He put his hands to
his eyes and ran. He could hear the crowd in the street groaning with
rage and pity. As he ran he saw beside the park a line of ambulances
and patrol wagons ready for their burdens.
Public-domain text, read in full here on John Shaqi.
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