Didactic fiction; Political fiction; Social problems -- Fiction
Mrs. Spellman received her son-in-law in her equable, unknowing manner,
as if she had expected him to arrive on that day. After supper she
took the boys to their room while husband and wife sat in the west
parlor, which the architect remembered just as it was this day, with
the same faded drab carpet, the brass fire-irons, and worn furniture.
The high-backed walnut writing-table stood in its familiar corner
beside the window. Outside, a drooping elm branch swept softly across
the glass pane. Nothing here was altered, nothing added, save the new
lives of the modern generation. They watched the leaping flames lick
the fire-eaten bricks of the old fireplace for a time, and then he
turned to her with a sigh:--
"Now I must tell you the whole story, Nell."
"Yes," she answered, letting her hand fall softly on his arm. "Tell me
everything."
And he began slowly to tell her the story as he had lived through it
that night when he lay exhausted on the earth beneath the stars--the
story of his work in the city, of the acts which for eight years he had
hidden from all, even himself. He explained as well as he could the
tangled web of his dealings with the contractor from the day when he
had met him in the Canostota until the time of the arrangement over the
school and the hotel. When he came to the end, to the horrible fire
which had licked up the fraudulent Glenmore before his own eyes, hot
tears fell upon his hands, which his wife held tightly in hers, and he
could feel her body tremble against his.
"And that was the end! It made me see in one flash what it all meant.
Of course, those men and women might have been caught anyway, no matter
how well the building was put up,--there's no telling,--and Graves
would have done the same job whether I had been in with him or not.
Still, that doesn't count. When I saw them there, trapped, fighting
helplessly for their lives, I felt as if I had stood by and let them be
murdered--and made money by it, too!"
The horror of those minutes revived as he went over the story, and he
paused wearily.
"Somehow," he resumed, "it was all of a piece--dirty work. Everything
I had touched, pretty nearly, since I had started seemed rotten. It
made me sick all over.... Well, that was the end. I went to Everett
and tried to square the school matter as well as I could. I gave him
all I had made out of it and more,--about every dollar I had. It
leaves us where we started. But, Nell, I knew you would want me to do
that first before I came here."
It seemed a pitifully trivial act, now that he had told it, yet he was
glad that he could give her this proof of his sincerity. She said
nothing, but she raised her eyes, still filled with tears, to his face
with a calm, answering look.
Public-domain text, read in full here on John Shaqi.
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