Didactic fiction; Political fiction; Social problems -- Fiction
"Oh! it may last out its time," he replied reassuringly. "And it
doesn't affect the appearance of the building at present. It's real
smart, as Mrs. Rainbow would say. Don't you think so, Nell?"
She was standing with her back to the pleasant façade of the Graveland,
and was staring into the Park across the street. Turning around at his
words she cast a swift, scrutinizing glance over the building.
"It isn't right! I see fraud looking out of every window. It's just a
skeleton covered with cloth."
The architect laughed at her solemnity. He was disgusted with it
himself; it offended his workman's conscience. But he was too modern,
too practical, to allow merely ideal considerations to upset him. And,
after all, in his art, as in most arts, the effect of the work was
two-thirds the game. With her it was altogether different. Through
all outward aspect, or cover, of things pierced their inner being, from
which one could not escape by illusion.
As they were leaving the place the contractor drove up to the building
for his daily inspection. He came over to the architect, a most
affable smile on his bearded face.
"Mrs. Hart, I presume," he said, raising his hat. "Looking over your
husband's work? It's fine, fine, I tell you! Between ourselves, it
beats Wright all out."
Helen's stiffness of manner did not encourage cordiality, and Graves,
thinking her merely snobbish, bowed to them and went into the building.
"You'll never do anything for him again, will you, Francis? Promise
me."
And he promised lightly enough, for he thought it highly improbable
that the contractor ever would return to him, or that he should feel
obliged to take his work if he offered it.
Nevertheless, the contractor did return to the office, and not long
afterward. It was toward the end of the summer, when the architect and
his wife were still debating the question of taking a house in the
country for the winter. One afternoon Jackson came back from his
luncheon to find Graves waiting for him in the outer office. The
stenographer and Cook were hard at work in the room beyond, with an air
of having nothing to say to the contractor. As Graves followed Hart
into his private office, Cook looked up with a curl on his thin lips
that expressed the fulness of his heart.
"Say," Graves called out as soon as Hart had closed the door to the
outer room, "I sold that Graveland three weeks ago, almost before the
plaster was dry. A man from Detroit came in to see me one morning, and
we made the deal that day."
"Is that so?" Hart remarked coolly.
"It was a pretty building. I knew I shouldn't have any trouble with
it. Now I have something new in mind."
The architect listened in a non-committal manner.
"Part of that trade with the Detroit feller was for a big block of land
out west here a couple of miles. I am thinking of putting up some tidy
little houses to sell on the instalment plan."
"What do you mean to put into them?" Jackson asked bluntly.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account